An Interview with Goran Bertok: Dead Meat, Bright Lights

“There is a relevant question: can I learn anything from a dead body, from a corpse without a name and history? It is only a dead piece of meat that has a certain shape but it has no story. So I document dead piece of meat, indeed”. An Interview with Goran Bertok, by Brad Feuerhelm […]

Jeffrey Silverthorne: Where Energy Goes @ Unseen

” The overlapping of basic subjects, the presentation of identities and where life/energy goes, is embedded in these content matters which superficially seem to be diverse but are really very intimately related. Life is a multi-faceted coin that we each need to turn in many ways”. Brad Feuerhelm, ASX, September 2015 BF: I have been […]

Cameron Jamie, Necropharmacology, and the Razorblade in the Apple

Within the event of this testimonial, we have supervised a position of conducting, in negative harmonics, a passage between the afterworld of death and our ability to master control over its parts by maintaining formal contact with the sub-committee of horror.   Candy apples and razor blades Little dead are soon in graves I remember […]

Death and More Death – Dash Snow’s ‘I Love You Stupid’

@ The Estate of Dash Snow and Courtesy DAP Art shouldn’t be a product of the art world, but a product of the world world.   By Owen Campbell I told my friend I was reading Glenn O’Brien’s intro essay to Dash Snow’s I Love You, Stupid. He said he always thought Dash Snow was […]

Robert Frank: “Unpleasant Connections” (1991)

“In Butte, Montana, he photographed a slovenly, middle-aged woman in her car with a sullen child staring out of the window behind her. He showed a bench full of decrepit old people in St. Petersburg, Florida, staring at nothing in particular while a shiny new Pontiac whizzed by on the street behind them.”   By […]

Mafia, Dead Bodies and Photography – Students Interview Letizia Battaglia (2001)

“To start, not all of the pictures that a photographer makes are important.” Photography as Art: The Involvement of the Photographer with His/Her Subject and Photography as Historical Evidence Transcribed February 9, 2001 Translated for ASX by Osvaldo Sanviti, 2013 Life goes on before us in a continuous flow. To freeze a fragment in an […]