XZc7w, 2011 @ Doug Rickard Horrorcore, a sort of contemporary American gothic, with all the inherent inversion of values. INTERNET GOTHIC and Transcendentalism in the Age of Mechanical Reproduction By Owen Campbell, ASX, January 2015 In the preface of National Anthem Doug Rickard quotes Walt Whitman; in the coda he quotes Woodie Guthrie. […]
Decline and Fall, Oil & canvas on board, 58.4 x 54.6 cm. 1995 “I will spend ages in front of an original and study they way the brush marks are made. Its always one of the most exciting things when looking at the painting to try and animate the way the artist made them and […]
From 1975-1977, Larry Sultan and Mike Mandel selected photographs from a multitude of images that previously existed solely within the boundaries of the industrial, scientific, governmental and other institutional sources from which they were mined. The project, “Evidence”, was funded by a grant from the National Endowment for the Arts, and was one of […]
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Ruff has done a great deal to introduce into photographic art what we might call an ‘art of the pixel’, allowing us to contemplate at an aesthetic and philosophical level the basic condition of the electronic image. By David Campany, originally published in IANN magazine No.2, 2008 The photographic art of Thomas Ruff makes […]
“There was a long struggle to establish photography as an art form and that struggle was won. The war is over, photography is acknowledged as an art form. The price the photography world paid for this victory was excluding everything that is not made by artists – ‘That’s actually not photography, that’s not art, it’s […]
Inspired by the Dada movement and simply fed up with the society of North England in 1976, the Liverpool-born artist Linder Sterling—featured in the new Gestalten book The Age of Collage—is known as a true master of collage. For more than three decades, Linder Sterling has addressed identity, sexuality, fashion, and society through her stunning […]
It embodies Campany’s belief, “that photographs don’t have meanings: they have potential for meaning. It’s a question of how they’re used.” Or rather how we decide to see them. THE AMERICAN TEMPLE By Vladimir Gintoff for ASX, October 2013 History often reveals itself in unexpected places. Take Salt, Mark Kurlansky’s non-fiction opus on how a […]
The work of Richard Prince installed in the Baroda House. For Gagosian Gallery. Directed by Damon Hoydysh Music by Richard Prince. highlinestudios.com EXPLORE ALL RICHARD PRINCE ON ASX
“I thought these new models were more generic and less identifiable and could make it seem like after the logo and copy were cropped out that the re-photographed image could be more my own.” An Interview with Richard Prince by Brian Appel, 2007 BRIAN APPEL: Hope you had a chance to read my review […]
Porno Film Strip #4, 1972 Lithographic film 57 x 17 1/4 inches TAPE NUMBER: VII, SIDE TWO APRIL 14, 1996 LEHMER: All right. So let me rephrase that. There was an interesting statement made by an artist about the San Francisco Museum of Modern Art, that they always have photography exhibited in the hallways of the museum outside of the […]
“But aside from this other kind of intellectual thing of the drawing and writing, I was like into hot rods more than anything else, and girls, obviously, and drinking beer and smoking, all of these things that the pastor’s son is not supposed to do.” Interviewed by Stephen K. Lehmer TAPE NUMBER: I, SIDE […]