Robert Farber with Eddie Adams

Robert Farber: I’m here in New York City with a great photographer, Eddie Adams. I first became familiar as many millions and millions of people did by Pulitzer Prize winning photograph that was taken in Vietnam of the Vietnamese Colonel executing a prisoner. That’s when I first started–how long did your career start before that? […]

Philip-Lorca diCorcia: Yale Handbook (2008)

W, March #14, 2000 by Philip-Lorca DiCorcia The warp in the fabric of Art History that connects Walker Evans and Kenneth Anger links social consciousness and narcissism, formalism and formlessness, the private and public, the oblique and the blunt, the tried and the true, the here today and the gone tomorrow. Cinnamon and sugary and […]

LARRY SULTAN & MIKE MANDEL: “Matrix / Berkeley 61” (1983)

By Constance Lewallen, Berkeley Art Museum & Film Archive, Early May – Early June, 1983 The myth of the photograph as a perfect analogue of reality persists to this day. Though the photograph continues to be used as evidence-by police, by news media-we now know that a photograph cannot be totally objective. Every news photographer […]

Robert Frank – “Highway ’61 Revisited” (1987)

Robert Frank in ‘Home Improvements’ Interview with photographer Robert Frank, Film Comment, August 1987 By Marlaine Glicksman “I’d like to make a film which would mingle the private aspects of my life with my work, which is public by definition… how the two poles of this dichotomy join, interlace, are at variance , and fight […]

Lars Tunbjörk – Alien at the Office (2004)

“When I photograph now,” he said, “I try to imagine that I’d never seen a place like this before.” Lars Tunbjörk: Alien at the Office By Joshua Kors Whether Lars Tunbjörk is a visionary or simply a weirdo with a camera, perhaps that’s a matter of opinion. Certainly Tunbjörk, the acclaimed Swedish photographer – winner […]

An Interview with Mary Ellen Mark (1990)

  “When it’s cropped I think, ‘God, it just doesn’t make sense. The picture’s no good any more. It’s not what I shot.’”   Interview by Constance Sullivan CS: You’ve been described as both a documentary photographer and a photojournalist. Do you make a distinction between the two? MARY ELLEN MARK: I have never known […]