ARNOLD KRAMER: “INTERIORS”
William Klein: The New York School – Photographs, 1936-1963 (1992)
“I wanted to be visible in the biggest way possible. My aesthetics was the New York Daily News. I saw the book I wanted to do as a tabloid gone berserk, gross, grainy, over-inked, with a brutal layout, bull-horn headlines. This is what New York deserved and would get.” By Jane Livingston, excerpt from […]
DAVE ANDERSON: “Strangers and Friends – Rough Beauty” (2006)
“Strangers and Friends” By Anne Wilkes Tucker, foreword to Rough Beauty Small towns are typically closed communities, outwardly friendly, but suspicious of anyone who is not a resident. Carrying a camera escalates those suspicions.i Paparazzi journalism and “candid camera” TV have also sensitized people to how easily a photographer can denigrate and caricature his subjects. […]
Lise Sarfati: “Molly #03” (2008)
Molly #03, 2008 58,5 x 43,7 cm LISE SARFATI French, born 1958 By Doug Rickard The room itself is quite an ordinary room. If you examine the details and remove the soft, young female from your mental focus you can feel the “oldness”. One can almost smell that scent that seems to permeate the very […]
HELMUT NEWTON: “Skewing Lines: On Pervs, Pearls and Sex Dolls”
Fat hand and dollars, Monte Carlo, 1986 Perfection, perfect women, and perfect sex (as if such a thing exists) may be Newton’s medium, his outer preoccupation, his aesthetic obsession, but they are not the subject of his work. Skewing Lines: On Pervs, Pearls and Sex Dolls By Lily Azrielant, Mercer Street The warm […]
Roswell Angier: “Combat Zone”
In the 1950s, when Boston was a major Navy port, the area around Washington Street became known as the Combat Zone; the name derived from the Shore Patrolmen, who prowled the rock-and-roll bars, busting the heads of sailors. By the 1970s, when Angier spent two and half years (1973-1975) photographing the area, the sailors […]
Roswell Angier – Sticky Floors and White Men Roars
By Doug Rickard Stretch marks and desert-devil-dust… Mexican-Men and Tequila-Worm-Lust… Jiggling breasts and White Men roars, sticky palms and sticky floors… Booze-boars and bottle-breath, broken-teeth smiles and flailing-fist-death… Curse and crawl, stumble and fall… warm wind blows through desert-window holes, pitiful views, coming in two’s… alcohol-slaves. Mad howls and nasty scowls, jukebox-caves, flesh-filled waves… […]
“Standing on the Corner – Reflections Upon Garry Winogrand’s Photographic Gaze – Mirror of Self or World? Pt. I” (1991)
New Mexico, 1957 (Figure 13) Part I By Carl Chiarenza Originally Published in IMAGE Magazine: Journal of Photography and Motion Pictures of the International Museum of Photography at George Eastman House, Volume 34, Number 3–4, Fall–Winter, 1991 Sometimes an idea gets the better of us as individuals, as professionals, as artists, as essayers of a […]