“The Wound Which Speaks of Unremembered Time: Nan Goldin’s Cookie Portfolio and the Autobiographics of Mourning”
Cookie at Tin Pan Alley, 1983 “I used to think I couldn’t lose anyone if I photographed them enough.” (Nan Goldin) By Mihaela Precup Long before ACT UP started rewriting the sick bodies of AIDS patients as vital, strong, and fighting back, photographer Nan Goldin thought she saw an ill omen in the underground New York […]
Ed Ruscha: “One-Way Street” (2005)
Edward Ruscha arrived in Los Angeles in 1956, delivered by the car trip he and high school friend Mason Williams took in Ruscha’s black 1950 Ford from Oklahoma to the suburban-like stretch of a rapidly developing L.A. Ed Ruscha’s One-Way Street By Jaleh Mansoor, OCTOBER, Winter 2005, pp. 127–42. Edward Ruscha arrived in Los […]
Nan Goldin on Cookie Mueller (2001)
“AIDS changed everything in my life. There’s life before AIDS, and after AIDS.” By Nan Goldin, for The Digital Journalist, 20 Years: Aids & Photography, 2001, brought to ASX in partnership with The Digital Journalist AIDS changed everything in my life. There’s life before AIDS, and after AIDS. We were in Fire Island that […]
Bruce Gilden – “Fort Myers”
In September of 2008, Bruce Gilden began a project that set out to document foreclosures in America. Beginning in Fort Myers, Florida — the foreclosure capital of the East Coast — Gilden, with his knack for shining both a literal and figurative light on the forgotten, set out to capture the fallout of the subprime […]
Interview with Photographer Donna Ferrato (1998)
Janice witnessed the murder of her friend, Kim, whose husband stabbed her to death at the bus stop. Oakland, Calif., 1988. “In my experience, women who’ve been abused by their husbands, if they can get away from him, get into a shelter, and start going to support groups, they heal.” Interview with Photographer Donna […]
Boris Mikhailov: “A New Metaphysician”
From Case History, 1999 Boris Mikhailov: A New Metaphysician By Helen Petrovsky If we were to define photography today, we would have to posit its essential anonymity. To be more precise, we would have to rethink the very conditions of its theorizing: it is no longer “my” photograph that has to be redeemed by being […]
Antoine d’Agata – Until the World No Longer Exists
“A photograph is nothing but a lie. The space is cut off, the time, manipulated. They are two uncontrollably false appearances of an image condemned to choose between hypocrisy and good conscience and being fake.” – Antoine d’Agata “What we see is not made up of what we are seeing but rather from […]
A Conversation with Dirk Braeckman (1998)
“I try to charge my images so much, I go to such extremes in that darkness…” Conversation with Dirk Braeckman and Erik Eelbode From z.Z(t). Ludion, Ghent / Amsterdam, 1998 Is it really the role of an artist who is still active to talk about his own motivations? As a source, he is suspect. […]