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Sander Meisner: “Botanica” (2012)
Botanica Sander Meisner 52 pp / 237 x 280 mm Perfect Bound with Dust Jacket Colour Offset ISBN 978-1-908889-00-3 Limited Edition of 500 By Paul Loomis, October, 2012 Botanica documents wooded spaces that are usually ignored – strips of trees between highways and behind gas stations, deserted gardens outside of […]
Caleb Foote & Dorothea Lange: “Outcasts! : The Story of America’s Treatment of Her Japanese-American Minority” (1943)
Irrigator, who, with 595 persons of Japanese ancestry, is leaving this rural district this morning for an assembly center under Civilian Exclusion Order Number 34. Centerville, CA, 1942, Dorothea Lange Text by Caleb Foote, Photographs by Dorothea Lange The Tyranny of a Word Shortly after Pearl Harbor, the San Francisco Chronicle said of the persons of […]
Matt Black – “Nothing Personal” (2011)
RUSSELL LEE: “AMERICANS”
Nikolay Bakharev in Conversation with Luca Desienna (2006)
“There was also a clause in the Criminal Code which banned the distribution of nudity in photographs, so it put off most photographers from approach this theme.” Nikolay Bakharev in Conversation with Luca Desienna of Gomma Magazine – Translation by Olga Ippolitova – Series Baharevland Nikolay Bakharev’s emotive and controversial images are important […]
Tony Ray-Jones: Photographs of America and England (1968)
Originally Published in Creative Camera, Issue 52, October 1968 In an era of pop commerce, and out of the gimmick-ridden world of lucrative non-art, it is refreshing to discover a photographer who – by-passing the slick ploy of self-conscious fashion cult – has an eye for What Is. His hand does not finger the […]
Nobuyoshi Araki – “Nobuyoshi Araki at Work” (2012)
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Walker Evans – The Poetry of Plain Seeing (2000)
“While Evans gave much effort to photographing poor people, their houses, rooms and the things they made, it is far from clear that poverty is the point of his best pictures.” By Leo Rubinfien, originally published in Art in America, December 2000 A traveling retrospective (2000) prompts the author to recall the austere formalist–and […]
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