Maja Daniels: The Elf Dalia Interview

“My initial desire to make this work was my connection and fascination with the language. A language that has existed in my family for hundreds of years but that I do not speak”.

Felicia Honkasalo: Objects and Ontologies

“What is held onto through a photograph, is no longer the disappearing object itself but something that appears or becomes visible in the moment of its vanishing: as it were, the last glance that it casts at us, or the last glimpse of it that we can catch.”

Wouter Van de Voorde: “Mad Units, Monoliths and Myspace Mythologies” Interview

“At some point during that time I was painting inside an abandoned factory and I came across the body of a guy who hung himself. I remember my teacher in painting saying that I should have made a painting of the dude hanging. This teacher later suicided as well. I had several friends kill themselves during that period, maybe a Belgian thing?”

John Lehr: The Island Position Interview

“The facades of shops, the techno-utopias of the call centers or mobile phone sales point bleed into boarded-up strip mall windows and the implications of a plastic and temporary commercial culture begin to appear”(BF).

John Myers: Looking at the Overlooked Interview

“However hard I tried to ‘illustrate’ an aspect of the urban environment, to unmask and present how this sleepy, suburban environment ‘functioned’ and fitted together somehow it always failed”.

Jem Southam Interview: The Pastoral Moth

“The premise and nature of each work, and its eventual architecture, develop as the work is progressing, and again I am led in this by my relationship with the particular site”.

In The Heat: Interview with Arturo Soto

“First, when everything seems unique, and there is an unbridled desire to know, see and discover. It’s important to take advantage of this initial energy, before routine sets in and the eagerness to notice things decreases.”