John Lehr: The Island Position Interview

“The facades of shops, the techno-utopias of the call centers or mobile phone sales point bleed into boarded-up strip mall windows and the implications of a plastic and temporary commercial culture begin to appear”(BF).

John Myers: Looking at the Overlooked Interview

“However hard I tried to ‘illustrate’ an aspect of the urban environment, to unmask and present how this sleepy, suburban environment ‘functioned’ and fitted together somehow it always failed”.

Jem Southam Interview: The Pastoral Moth

“The premise and nature of each work, and its eventual architecture, develop as the work is progressing, and again I am led in this by my relationship with the particular site”.

In The Heat: Interview with Arturo Soto

“First, when everything seems unique, and there is an unbridled desire to know, see and discover. It’s important to take advantage of this initial energy, before routine sets in and the eagerness to notice things decreases.”

Jeff Whetstone Interview: Batture Ritual

“Yosemite and the like are places that are certainly worth preserving, but they do not reflect of our contemporary environment which is characterized by a compromised, struggling, and tenacious Nature – the nature of the Anthropocene. It is a nature that includes us.”   I am always interested in how people come to making art. […]

Lewis Bush: General Interrogation and Jersey Metropole Primer

“There are downsides of course to these multiple identities. You can find yourself developing a bit of a split professional personality and it can make it difficult at times to know where to best direct your energies. Other people struggle with your split loyalties as well.”

Susan Lipper Interview: Domesticated Land

“I was very motivated by Deborah’s Bright’s 1985 essay: Of Mother Nature and Marlboro Men, which stressed the importance of differing subjective viewpoints from the established patriarchal vision”

Max Pinckers Interview: On Speculative Documentary

“Haunted by a crisis of faith in its authenticity, the documentary genre is continually trying to re-position itself in relation to today’s excesses of a post-truth ideology and blurred frames of realism.”