“The way a photographer “sees” and commits to an image is through experience. These experiences have very little to do with the camera and are built up over years of living-these experiences and the years that sponsor them are not always the glorious nostalgic highlights that we remember in their honey-dipped form, but are also […]
“Times change, we orchestrate ourselves to different locations and yet with nostalgia nothing need be lost. It can be found again. We can consider the death of an idea as being flexible to finality, but that is a different conversation”. We tend to enshrine people and ideas with a certain sense of […]
“From there it is all ticker tape and pumpkin pie. From the position in front of its double, it’s the smell of Baltimore’s burning brownstone wires and antiseptic hand sanitizer ironically left on the church pew”. “That is no longer considered autonomy. That friend is unfettered barbarism”. No stronger words have been […]
“So, when we consider respect in the medium, we can limit our discussion by looking at who is contributing to our world and who is not. Publishers by and large are the unsung heroes of the day”. A friend of mine recently commented on the lack of risk-taking in publishing. I took some […]
“The intrepid photographer, whether war photographer, journalist or documentary photographer believes their position to be in accord with the act of producing a record- his or her position to remain neutral so far as to let vultures eat at the doubled over haunches of starving children, to let the blood run from 96.8 to a […]
“Economically speaking, the transactions and values associated with perhaps what we may call “surrogate images” will inform society without society’s intervention into the process”. The process by which images manifest their own destiny, exchange their own value within the larger network of artificial intelligence and non-human computation is in retrospect, going to be […]
“The ability to disseminate information via photographic images, no matter their actual content, will to representation, or state of factual existence has provided us with what we are currently experiencing in contemporary times as media language and the post-truth image”.
“As photographers, we are often split into encampments of a means of production that qualify what “happens” in front of our lens and what we “design” in front of our lens-it is not so different with how we manage our lives”.
“The subversive gesture to record and document, even if in cinematic discourse, the political and social status that a police officer represents in post-911 New York cannot be taken for granted”. Christopher Anderson’s work in essential terms is cinematic and tightly compressed. His images, when collated in book form become a mellifluous assortment […]
“Photography and its compositions play with the end result, which is the still and static frame. We can consider its pre-supposition to modernity and the way in which modernism, technology and industry precipitated our current fascination with destroying their intentions …” A principal feature that photography and music share is that of composition. Composition […]
“The general sense of doom and the proclivity towards nightmarish consequences of feast or famine natural disasters ushered in a new era in which spiritualism, cults, and Catholicism all formed an ungovernable supernatural belief state”.
“The achievement of Donald Trump, for every ugly thing he musters to his lips, for every repellent speech and every obnoxiously hypocritical move he makes is entirely endemic of the American century and its reflection in decline”.