Martin Stöbich: Beirut / Tokyo 東京 and one picture of Mt. Fuji / Happy in the U.A.E.

“The way a photographer “sees” and commits to an image is through experience. These experiences have very little to do with the camera and are built up over years of living-these experiences and the years that sponsor them are not always the glorious nostalgic highlights that we remember in their honey-dipped form, but are also formed of tragedy, comedy and a resistance to our inside force of direction”.

Masahisa Fukase: Family Enshrined

  “Times change, we orchestrate ourselves to different locations and yet with nostalgia nothing need be lost. It can be found again. We can consider the death of an idea as being flexible to finality, but that is a different conversation”.     We tend to enshrine people and ideas with a certain sense of […]

Mark Power: Good Morning, America Volume II

  “From there it is all ticker tape and pumpkin pie. From the position in front of its double, it’s the smell of Baltimore’s burning brownstone wires and antiseptic hand sanitizer ironically left on the church pew”.     “That is no longer considered autonomy. That friend is unfettered barbarism”. No stronger words have been […]

Walter Keller: Beruf: Verleger. A Tribute

“So, when we consider respect in the medium, we can limit our discussion by looking at who is contributing to our world and who is not. Publishers by and large are the unsung heroes of the day”.     A friend of mine recently commented on the lack of risk-taking in publishing. I took some […]

Ken Grant: Benny Profane And The Right To Refuse

“The intrepid photographer, whether war photographer, journalist or documentary photographer believes their position to be in accord with the act of producing a record- his or her position to remain neutral so far as to let vultures eat at the doubled over haunches of starving children, to let the blood run from 96.8 to a […]

Jules Spinatsch: Semiautomaticphotography

“Economically speaking, the transactions and values associated with perhaps what we may call “surrogate images” will inform society without society’s intervention into the process”.     The process by which images manifest their own destiny, exchange their own value within the larger network of artificial intelligence and non-human computation is in retrospect, going to be […]

Christopher Anderson: COP Interview

    “The subversive gesture to record and document, even if in cinematic discourse, the political and social status that a police officer represents in post-911 New York cannot be taken for granted”. Christopher Anderson’s work in essential terms is cinematic and tightly compressed. His images, when collated in book form become a mellifluous assortment […]

Pino Musi: Border Soundscapes and Concrete Symphonies

“Photography and its compositions play with the end result, which is the still and static frame. We can consider its pre-supposition to modernity and the way in which modernism, technology and industry precipitated our current fascination with destroying their intentions …”   A principal feature that photography and music share is that of composition. Composition […]

American Revelations: Archival Photographic Notes of Woe

“The general sense of doom and the proclivity towards nightmarish consequences of feast or famine natural disasters ushered in a new era in which spiritualism, cults, and Catholicism all formed an ungovernable supernatural belief state”.