Today, Richard Prince, still glowing in triumph after his own copyright battle with Patrick Cariou, is simply screen-capturing his own participation on Instagram—brazenly selling inkjet enlargements of other people’s image uploads for $90,000 a pop. What’s more, Prince is adored for it. How to Sue Richard Prince and Win By Nate Harrison, July 10, 2015 My […]
Satanic Panic Part II
Eggleston brought MoMA around eight carousels of slides made around 1970 from which Szarkowski chose seventy-five for the exhibition and, of those, forty-eight for publication in the Guide.
Often blurred and seeming to blend into interiors, Woodman’s photographs evoke a haunting, haunted world wherein her own physical self appears to vanish—or emerge—before our eyes.
Since Richard Prince first exhibited infringing appropriated photographs, reproduction technologies have thrown established conventions into disarray.
Pettibon’s drawings say: sure, I’ll suck dick for cigarettes.
Stacy Kranitz ’s long-form photographic project As it was give(n) to me is a work that interrogates notions of documentary truth.
Jacob Holdt would hitchhike over 100,000 miles through virtually every region of the United States without much more than his thumb.
Neo-Liberal Puppets Dance Their Way Through a Holographic Protest: Reflections on the Meaning of Spain’s Holographic Gag Law Protest
The more you protest and shovel meta-data back and forth from behind the screen, the more easily your physical self and right to action will be controlled. By Brad Feuerhelm, ASX, April 2015 We live in a tireless age in which we believe our right to protest earns us a neo-liberal badge of honor. […]
Andy Warhol, Polaroids @ The Warhol Foundation “Because of Andy Warhol, it’s no longer possible to just do what you do and not have to act it out 24 hours a day. His style of doing things changed everybody’s idea of what the values were that could make you a star. And as a result […]
“One may say that the Negro in America does not really exist, except in the darkness of our minds.” James Baldwin – Notes from a Native Son By Michael Salu, ASX, February 2015 It is THAT dark. You know, the dark that exists under your fingernails that you idly pick at and flick away. […]
from The Valley @ Larry Sultan Estate “That [Ambiguity] is really important to me. Part of the difficulty facing photographers is that almost any subject matter has accumulated a representational history, so to find a new discursive space, a space to wander around those subject matters, is a real challenge. If I know too much, if […]