Sam Contis Dorothea Lange: Day Sleeper Then as Now and.

    History generally presents itself to the future in visual terms that signify the distance between the two points of time from its creation and its re-purposing and its re-examination. The fallacy in photographic terms of historical representation and its distribution of intent are intertwined between reason and audience over the passing of linear […]

Sam Contis Interview: Deep Springs

“I think the darkness at the periphery of the work also comes from a desire to acknowledge a certain brutality inherent to the history of the western landscape, and to the struggle for survival within it.”