“The disappearance of discernible items that we consider part of the terrain from fire hydrants to road signs seem obliterated and marshmallowed under the soft, yet threatening canvas or blanket of ice that permeates each picture. Houses tend towards the gingerbread with too much icing and though it can be suggested that it is possible […]
“Guillaume Simoneau is a not a cannibal, but his book Murder (MACK), is an ode to Fukase’s legendary status and particularly his book Karasu/Ravens. Murder is a devotional hymn, or a phantom limb added to the mythology of the Japanese artist” Inherent or Mythological Propagandas One of photography’s less considered functions is […]
“We propose that what “X” is to “Y” is how “Z” was accomplished. We lack the details of a true oversight and our compunction to rely on discourse written from outside observations can be careless”. When we reflect on history or movements that occur between eras, it is often hard to perceive the […]
“From there it is all ticker tape and pumpkin pie. From the position in front of its double, it’s the smell of Baltimore’s burning brownstone wires and antiseptic hand sanitizer ironically left on the church pew”. “That is no longer considered autonomy. That friend is unfettered barbarism”. No stronger words have been […]
“So, when we consider respect in the medium, we can limit our discussion by looking at who is contributing to our world and who is not. Publishers by and large are the unsung heroes of the day”. A friend of mine recently commented on the lack of risk-taking in publishing. I took some […]
“As photographers, we are often split into encampments of a means of production that qualify what “happens” in front of our lens and what we “design” in front of our lens-it is not so different with how we manage our lives”.
“Photography and its compositions play with the end result, which is the still and static frame. We can consider its pre-supposition to modernity and the way in which modernism, technology and industry precipitated our current fascination with destroying their intentions …” A principal feature that photography and music share is that of composition. Composition […]
“The object and its indentured life under the magnifying glass from the future yield an uncanny disquiet”.
“It is to accept that an image, though agreed as unable to achieve absolute status has many interpretive layers and one of these is the age of the viewer and his or her relation to the subject matter within the frame(s) conditioned by history, time and nostalgia…”
“The achievement of Donald Trump, for every ugly thing he musters to his lips, for every repellent speech and every obnoxiously hypocritical move he makes is entirely endemic of the American century and its reflection in decline”.
“I know How Furiously Your Heart is Beating is not Alec Soth’s most important body of work and perhaps for no reason other than the glory of the new will my words be seen as critically negative”.