Adrian Samson’s Mother

  “During these moments of quiet solitude in the bitter January cold, a transformation of emphasis on how I began to re-order the world was beginning, but I did not completely understand its momentum”   Childbearing presents a compulsion to re-order the world. You begin to notice things differently. This is due in course to […]

David Billet & Ian Kline’s Rabbit/Hare Texas Reason

“The picture stays in the kid. Tell heaven don’t wait for me”   What is an image produced if not the perversion of self either in or out of frame? Authorship is dictatorship, no? What to do with a pare?   Game Over, and if this isn’t an obvious affront to the Texas that I […]

Alex Llovet’s The Escape Velocity

““Everything tries to escape from that which determines its freedom”   Escape velocity is in scientific terms, according to the grand doyen (cough, cough) of free knowledge Wikpedia “the minimum speed needed for a free, non-propelled object to escape from the gravitational influence of a massive body, that is, to achieve an infinite distance from […]

Sergio Purtell: Love’s Labour Review by Zak Dimitrov

“One can use a camera to explore or utilise philosophy, politics, psychoanalysis and what not and this is wonderful as it broadens the scope of what is achievable with this tool. It tends to be forgotten that this is not, however, the be-all and end-all technique”   When one thinks of photographic projects, which more […]

Maude Arsenault’s Entangled

  “There are the bodies of women present pitted against gorgeously composed images of a wooded landscape or waterfall. These images, used sparingly offer an atmosphere outside of the interior views within the book, which are more plentiful”     Entangled by Maude Arsenault is a mysterious offering from the crew at Deadbeat Club. There is […]

Peter Mitchell: Early Sunday Morning, Signs & Reasons

  “I have assumed this focus on the found vernacular to be American in nature. However, the details of national ownership is missing apart from the rise of American modernism or the focus on its anti-thesis, namely quaint small town America advertising often hand painted and rough”   It is somehow impossible not to mention […]

Thoughts on Manuel Álvarez Bravo’s Color Work

  “Sunlight arms color photographs with daisies and when it refutes initiation, it instead lends pestilence to limbs that once lovingly embraced the nectar of its floral inhabitants”   Color is a very sensitive pursuit. It curries favor with no artist. It has an understanding about it that exceeds what appears outright as a seasonal […]

Piotr Zbierski: Echoes Shades The Ethnography of Shadows

“Are classifications necessary? What are there limits? Who can photograph who and what? “   I am always curious by what we consider the exotic in photographs. I often find myself thinking of the vestigial media forms of the past- all the inconsistencies, problematic discourses, and general selling of anything “other” in photographs, magazines and […]

Stephen Shore: Transparencies VS. American Surfaces 2020

  “The Transparencies book published by MACK is also significant in its design, the essay within and sequence of the work, which is chapterized by annual progressions through the 70’s American dream in banal (good word, word of goodness) detail”     It is not often that a re-examination of the periphery of a significant […]

Gordon Parks: The Atmosphere of Crime, 1957/2020

  “It would be easy for me to say that this book is published at the right moment and that it correlates a simple reminder about the inhuman conditions of the past…”   It is June 9th, 2020 and as I sit here penning this “review” of Gordon Parks perhaps sadly non-anachronistic and oddly prescient […]

Tatum Shaw’s PLUSGOOD! Color Corrected

“All are slightly queasy in appearance, the Technicolor saturation making the images unbelievable to some extent, which adds to the delirium of her dream state”.     High-intensity color saturation in a photograph creates something of a parallel universe in which things can feel positively uncanny. I would suggest that in terms of historical notation […]

Thomas Sauvin: In Opposition, The Mirror Lies

  We confuse ourselves with our recognition of our portrait in a mirror. The hand that brushes away the hairs from the forehead, the sweet sticky perspiration that pins the lock to the crown is read in reverse and yet, this reversal is apathetic to the self that it stares back at. The eyes glare […]