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Tag Archives: Iconic

HOLLYWOOD, ANKARA: SUPERFAMILIARITY and TERROR

“What is at work here is not that the image is iconic, but that it is graphic and SUPERFAMILIAR, which legitimizes its effect and distribution”

More to Love

  • Paul Graham – “Photography is Easy, Photography is Difficult” (2009) 177 views
  • Mark Steinmetz Berlin Pictures 86 views
  • Richard Avedon’s ‘In the American West’ 45 views
  • Matt Eich’s The Seven Cities 43 views
  • Raymond Pettibon – The Art of Black Flag (1980s) 33 views
  • Sara Perovic: #My Father’s Legs… 32 views
  • Photobooks of the Year 2020/Welcome to the Castle 25 views
  • Notes on Five Key Jean-Michel Basquiat Works 24 views
  • The (Im)possibilities to Shoot as a White Photographer on the African Continent 22 views

Highlights

  • Paul Graham – “Photography is Easy, Photography is Difficult” (2009) 445 views
  • Richard Avedon’s ‘In the American West’ 269 views
  • The Last Francis Bacon Interview – On Violence, Meat and Photography 106 views
  • Ed van der Elsken – “Love on the Left Bank” (1954) 103 views
  • William Eggleston: Who’s Afraid of Magenta, Yellow and Cyan? 92 views
  • HELEN LEVITT: “COLOR” (1971-1981) 87 views
  • Gregory Halpern On Documentary Ethics – Preoccupations, Subjectivity and Untruths (2013) 85 views
  • Saul Leiter’s Color Street Photography – The Palette of NYC 64 views
  • Stanley Kubrick’s Photographs of 1940’s NYC 62 views
  • WALKER EVANS: “POLAROIDS OF WOMEN” 60 views
  • Lee Friedlander Puts Your Selfies to Shame 55 views
  • An Interview with Stephen Shore – “The Apparent Is the Bridge to the Real” (2007) 52 views
  • A Statement by Robert Frank (1958) 52 views
  • Jean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000) 45 views
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