Diamond Reynolds

Luke Willis Thompson: Photography, Technology and the Shortcut to Empathy

What aspects of this collaboration, both Thompson’s and Reynolds’ are complicit in the same ideology and methodology of representation that perpetuates this distance between the photographic, its technological apparatus and its subject matter?

Deutsche Börse Photography Foundation Prize 2018: Refusing Heaven or Confusing as Hell?

“Asselin implicates the prize’s sponsor, using their financial app to display the real-time ballet that is the share price of both Bayer and Monsanto, neatly revealing the complicity of an entity that uses an arts prize to burnish its socially responsible credentials, while assisting a corporation that is a synonym for cynicism.”