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Tag Archives: Burhan Ozbilic

HOLLYWOOD, ANKARA: SUPERFAMILIARITY and TERROR

“What is at work here is not that the image is iconic, but that it is graphic and SUPERFAMILIAR, which legitimizes its effect and distribution”

More to Love

  • Vasantha Yogananthan’s Afterlife 69 views
  • Diane Arbus’ Noah’s Ark of Humanity” (2004) 49 views
  • Koji Kitagawa: Mapping the Technical in Dreams 33 views
  • Isabel Wenzel Counting Till Ten Precarious Rituals 31 views
  • Paul Graham – “Photography is Easy, Photography is Difficult” (2009) 27 views
  • Alessandra Sanguinetti The Adventures of Guille & Belinda 27 views
  • Notes on Five Key Jean-Michel Basquiat Works 27 views
  • Andy Sewell Interview w/ Zak Dimitrov Known and Strange Things Pass 26 views
  • Byberry Insane Asylum – A House of Horrors in 1940’s Philadelphia 25 views

Highlights

  • Paul Graham – “Photography is Easy, Photography is Difficult” (2009) 276 views
  • Richard Avedon’s ‘In the American West’ 214 views
  • The Last Francis Bacon Interview – On Violence, Meat and Photography 112 views
  • Ed van der Elsken – “Love on the Left Bank” (1954) 109 views
  • A Statement by Robert Frank (1958) 101 views
  • William Eggleston: Who’s Afraid of Magenta, Yellow and Cyan? 100 views
  • HELEN LEVITT: “COLOR” (1971-1981) 93 views
  • Lee Friedlander Puts Your Selfies to Shame 89 views
  • WALKER EVANS: “POLAROIDS OF WOMEN” 75 views
  • Stanley Kubrick’s Photographs of 1940’s NYC 71 views
  • Jean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000) 71 views
  • An Interview with Stephen Shore – “The Apparent Is the Bridge to the Real” (2007) 68 views
  • Saul Leiter’s Color Street Photography – The Palette of NYC 65 views
  • Gregory Halpern On Documentary Ethics – Preoccupations, Subjectivity and Untruths (2013) 62 views
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