“The facades of shops, the techno-utopias of the call centers or mobile phone sales point bleed into boarded-up strip mall windows and the implications of a plastic and temporary commercial culture begin to appear”(BF).
Ren Hang didn’t have a lot to say about himself. In the fine art environment, where emphasizing one’s own importance (or having representation to do so, while you maintain the air of expensive mystery) is the norm, this resistance to pretense could be considered a form of madness. But this didn’t stopped the twenty-seven-year-old photographer, […]
“However hard I tried to ‘illustrate’ an aspect of the urban environment, to unmask and present how this sleepy, suburban environment ‘functioned’ and fitted together somehow it always failed”.
In this video Barbara and Morton Mandel recount their journey as passionate collectors of 20th and 21st-century art. Throughout their lives, the Mandels have acquired examples by Modern and Post War masters – from Pablo Picasso to Donald Judd. The collection’s breadth attests to the couple’s dedication to selecting only great works.
“Europe is…people. Its challenge is the bane of enlightenment that various historiographies lament upon its misshapen mass with its fluid borders, its guilt and its appropriated columns of toppled regimes”
“The premise and nature of each work, and its eventual architecture, develop as the work is progressing, and again I am led in this by my relationship with the particular site”.
Los Angeles artist Sterling Ruby first exhibited his monumental urethane sculptures as part of MOCA Focus: Sterling Ruby, SUPERMAX 2008, an energetic show of painting, collage and sculpture. MOCA visits the artist in his studio for an exclusive look into his process. Born in 1972, on Bitburg Air Base, Germany, and raised in rural Pennsylvania, […]
“I think I was working in places like those for quite a while before I knew why I was working in them. I don’t have a car or a driver’s license, so I navigated Virginia on my bicycle or on foot the majority of the time.”
JH Engström – CRASH at Värmlands Museum 8.9 2017 – 7.1 2018
“The other reason is the question of memory – in line with the invention of the medium, mass images of the dead emerged in the second half of the 19th century. A fashion wave that is not only reserved for the nobility and clergy, but also for simple people, in order to have a portrait, a memory picture of someone at all”. -Felix Hoffman
“Whenever I find I repeat myself, I look ahead in a new direction.” — Stephen Shore Photographer Stephen Shore wants his pictures to feel as natural as speaking. In this gallery tour, Shore reflects on his six-decade long career—from his early work taking pictures in Andy Warhol’s Factory to road trips across America. “Stephen Shore” […]