The Landscape of Stephen Shore (2007)
From the series American Surfaces Looking at Stephen Shore’s large-format pictures of America, it might be hard to believe the images were once controversial. The Landscape of Stephen Shore at the ICP By Carl Gunhouse, May 22, 2007 Looking at Stephen Shore’s large-format pictures of America, it might be hard to believe the […]
An Interview with Stephen Shore (2005)
“I remember thinking that it’s important to put cars in photographs because they are like time seeds. And I learned this from looking at Evans.” By Noah Sheldon and Roger White Noah Sheldon: I heard a lecture once where you said that when you teach, you try to think about how you felt when […]
BILL OWENS: “American Fine Arts” (1994)
Fourth of July Block Party, 1970 from the series Suburbia Bill Owens – American Fine Arts, New York, New York, Originally published in ArtForum, December 1994 By Neville Wakefield Though conspicuously absent from public collections, Bill Owens’ photo-chronicles of middle America belong alongside those of the better known “social landscape” photographers of the ’60s and […]
ARTHUR TRESS: “PHOTOGRAPHS”
Born in Brooklyn in 1940, Arthur Tress took his first photograph at the age of twelve. After completing a BFA in 1962 at Bard College, located on the Hudson River in New York state, he moved to Paris to study filmmaking at the Institutes ds Hautes Etudes Cinémathographique. Dissatisfied with his experience, he soon […]
SALLY MANN: “Emmett’s Story” (2007)
Untitled (Mississippi Landscape), 1998. (fig. 1) By Alison R. Hafera, An Excerpt from “Taken in Water: The Photograph as Memorial Image in Sally Mann’s Deep South” (2007) ‘What have they done?’ cries the child / ‘Why have they beaten me, tortured me, / wound me in wire from the cotton gin that tore our years […]
MALICK SIDIBE: “PORTRAITS” (1960-1980)
Born in 1935 in Soloba, Mali. Lives and works in Bamako. Malick Sidibe was born into a Peul family in a small village of Mali. He graduated from school in I952. After being noticed for his talent as a draftsman, he was admitted to the School of Sudanese Craftsmen in Bamako from which he […]
The Family Albums of Ralph Eugene Meatyard (2006)
“Billboards in any art are the first things that one sees—the masks might be interpreted as billboards. Once you get past the billboard then you can see into the past (forest, etc.), the present, & the future. I feel that because of the “strange” that more attention is paid to backgrounds & that has been […]
