Sam Falls: Light Over Time
http://www.publicartfund.org/
Ren Hang ‘Human/Nature’ at Capricious 88
The theme is a twine of two strands: the uncanny connection of human bodies and questionable distinction of humanity from nature. By Owen Campbell, ASX, March 2015 The fifth floor gallery space of Capricious 88, on Manhattan’s Lower East Side, is large and airy, with south-facing windows facilitating bright sunlight even on overcast days. […]
Nostalgia/Trauma Under the STATE Apparatus – Tommaso Tanini
Without an element of cruelty at the root of every spectacle, the theater is not possible. In our present state of degeneration it is through the skin that metaphysics must be made to re-enter our minds. By Brad Feuerhelm, ASX, March 2015 ”Without an element of cruelty at the root of every spectacle, the […]
Barbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991)
Barbara Kruger Untitled (Your body is a battleground) 1989 Courtesy Mary Boone Gallery New York “I hate to get to you on these words, but I wouldn’t call it an agenda-but I would say that I am interested in sort of, in not just displacing and questioning stereotypes.” Barbara Kruger Interview, excerpt from […]
London’s Capitalist Greed is Progress in Reverse – Lewis Bush ‘Metropole’
@ Lewis Bush Dear London, when your children are consumed and little grey men pretend to offer a sense of community, I will be far away praying that your streets flood unto a new Atlantis with the corpses of bankers weighed down with their gold, sinking to the bottom of the isle of dogs. […]
Joel Meyerowitz @ KUNST HAUS WIEN (2015)
Joel Meyerowitz became famous as central protagonist of New Color Photography in America during the 1960s and 1970s, next to William Eggleston and Stephen Shore. His extensive retrospective at the KUNST HAUS WIEN. Museum Hundertwasser in Vienna, Austria presents the photographer and the major, multi-faceted oeuvre he created over the course of 50 years.
From the Body you Can Deduce the Method: Formal Bodies in the Works of Briner Hauser
@ Timothy Briner and Thomas Hauser Caught in an interrupted dialogue of concrete America, Cybil Shepherd stares back at me with a plastic piece of shit 35 mm camera. Her face collaged and reflecting the bounce of a flash too strong to construct some cracker at her feet, his face torn off by an unseen […]
Death and More Death – Dash Snow’s ‘I Love You Stupid’
@ The Estate of Dash Snow and Courtesy DAP Art shouldn’t be a product of the art world, but a product of the world world. By Owen Campbell I told my friend I was reading Glenn O’Brien’s intro essay to Dash Snow’s I Love You, Stupid. He said he always thought Dash Snow was […]