True Romance – Both Sides of Sunset: Photographing Los Angeles
Romance is inescapable; the L.A. river is maybe the most romantic strip of concrete in the world, the light in the window of a Todd Hido exterior is romantic, just the name “Dennis Hopper” is romantic; romance is inherent to the image. By Owen Campbell, ASX, July 2015 Both Sides of Sunset: Photographing Los Angeles […]
ASX.TV: A Conversation with Simon Baker – On Conflict, Time, and Photography (Pt. 3)
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 3
Mark Ruwedel: Desert Houses
Mark Ruwedel is an artist who has been photographing American deserts and other remote locations for over 25 years. With an affinity for stark, barren landscapes that are otherwise uninhabited, Ruwedel found the desert and it soon became his primary field of inquiry. Influenced by photographers Lewis Baltz, Walker Evans and Robert Adams, Ruwedel’s […]
The Twisted Metal Death Parade of America in the 1950-60’s
Courtesy of THESE AMERICANS
Brassai’s LGBT and Sex-Filled ‘Paris at Night’ is Spectacular
Explore the entire ‘Paris at Night Gallery
William Eggleston: Who’s Afraid of Magenta, Yellow and Cyan?
Eggleston brought MoMA around eight carousels of slides made around 1970 from which Szarkowski chose seventy-five for the exhibition and, of those, forty-eight for publication in the Guide.
ASX.TV: A Conversation with Simon Baker – On Conflict, Time, and Photography (Pt. 2)
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 2
Martin Kippenberger: Peinlichkeit Kennt Keine Grenzen (Embarrassment Has No Limits)
History has been kind to Martin Kippenberger. Following his untimely death in 1997 at the age of 44, the art world scrambled to retrofit Kippenberger into the Postmodernist canon.