Afghanistan @ Robert Knoth & Antoinette de Jong “It becomes very focused on just a few things, like religious extremism, terrorist groups, attacks, the Taliban, and Afghans beating their wives. These kinds of stories are what everyone is after.” By Paul Loomis exclusively for ASX, Interview conducted on Monday, February 11th, 2013 Antoinette De Jong […]
“It was logical for me to get off doing still photography after becoming a success at it. I think it would just become a repeat—I would repeat myself.” An interview with Robert Frank, from one of ten symposiums at Wellesley College 1977 called “Photography within the Humanities”. Robert Frank: I’m just trying to, as they say, […]
Evans’ interiors function like landscapes that open up towards other worlds, largely through the particular attention that he pays to the inanimate objects that are present, almost representing them as characters themselves. Ghost is Guest By Anna Solal, Translated from French by Chris Farmer and Florian Aimard The book’s title – Message from […]
Carla & Zizou, Brasserie Graff, 1963 Many of his photographs were taken in Paris, and anticipate the work of more contemporary photographers like Nan Goldin in that they are documents from Strömholm’s eclectic and vigorous life. By Paul Loomis, ASX, January 2013 This volume compiles photographs from several extremely hard to find books […]
from The Animals @ the Estate of Garry Winogrand Winogrand disdained those who treated photographs not as photographs but as an extension of painting. The Animals and Their Keepers: Garry Winogrand and Photography After Septempber 11 By Hilton Als “The Animals,” a book I was moved to reexamine after the events of Sept. […]
From Once Upon a Time in the West It is this unmitigated violence that marks and unites both Leone’s and Tarantino’s work. Though when asked by a Time critic why his films were so violent, Leone simply pointed to a double-page color spread of a young black man being gunned down by police and […]
“I think of them as parts of a novel I’m doing.” By Walter Hopps, essay from The Hasselblad Award, 1998 These were the first words William Eggleston uttered when I asked what he felt he was accomplishing with his photographs. Another fine photographer from the South, William Christenberry, had brought Eggleston to meet me […]
“Having a book allows you to prove that you’re not just a one or two picture photographer.” An Interview with Alexa Dilworth of the Center for Documentary Studies, April, 2011 (Excerpt) How is having a book of one’s own photographs published important to a photographer? RA: It allows you to respond effectively to your […]
She was not a theorist but an artist. Her concern was not to buttress philosophical questions but to make pictures. By John Szarkowski, Director, Department of Photography, NY MoMA Diane Arbus’s pictures challenge the basic assumptions on which most documentary photography has been thought to rest, for they deal with private rather than social […]
“While Evans gave much effort to photographing poor people, their houses, rooms and the things they made, it is far from clear that poverty is the point of his best pictures.” By Leo Rubinfien, originally published in Art in America, December 2000 A traveling retrospective (2000) prompts the author to recall the austere formalist–and […]
(All rights reserved. Images @ David LaChapelle)
ASX CHANNEL: RICHARD BILLINGHAM (All rights reserved. Images @ Richard Billingham)