SCOT SOTHERN: “LOWLIFE”

  Scot Sothern’s Lowlife is an illustrated memoir of dysfunction, a confession of a befuddled white guy maintaining a precarious connection to propriety and fatherhood while side-tripping into noirish infatuations. Sothern’s images, shot mostly in Southern California between 1986 and 1990, record the existence of these disenfranchised Americans, men and women, hawking souls for the […]

ROMAIN SLOCOMBE: “CITY OF BROKEN DOLLS”

  “MY WORK’S NOT ONLY ABOUT MY OBSESSION WITH JAPANESE WOMEN, IT’S ABOUT MEDICAL FETISHISM AND MY FASCINATION WITH ACCIDENTS” – ROMAIN SLOCOMBE, 1997   Beautiful Japanese girls are photographed in casts and bandages, victims of unknown traumas in the neon streets and hospital rooms. These are the “broken dolls” of Romain Slocombe’s Tokyo, a […]

Saul Leiter’s Color Street Photography – The Palette of NYC

    Interview excerpts: “I’m sometimes mystified by people who keep diaries. I never thought of my existence as being that important. I have a deep-seated distrust and even contempt for people who are driven by ambition to conquer the world … those who cannot control themselves and produce vast amounts of crap that no […]

RON GALELLA: “PAPARAZZI”

  Jackie O. sued him (twice), Marlon Brando broke his jaw and Richard Burton’s bodyguards beat him up bad.  Dubbed “Paparazzo Extraordinaire” by Newsweek and “the Godfather of the U.S. paparazzi culture” by Timemagazine and Vanity Fair, Ron Galella has historically been regarded as one of the most controversial celebrity photographers in the world.     http://www.rongalella.com/   (All […]

LARRY SULTAN & MIKE MANDEL: “EVIDENCE”

  From 1975-1977, Larry Sultan and Mike Mandel selected photographs from a multitude of images that previously existed solely within the boundaries of the industrial, scientific, governmental and other institutional sources from which they were mined.  The project, “Evidence”, was funded by a grant from the National Endowment for the Arts, and was one of […]

CHARLES TRAUB: “DOLCE VIA” (1980’S)

  Dolce Via: Italy in the 1980s (Damiani, March 2013), features photographs by Charles H. Traub, a frequent visitor to Italy during the 1980s.             (All rights reserved. Images @ Charles Traub)

Lee Friedlander: “The American Monument” (1976)

Vince Aletti describes The American Monument as “almost maniacally inclusive, rounding up everything from Plymouth Rock to a plaque commemorating the Pony Express in Salt Lake City and treating them with the same nonchalance. The doggedness of Friedlander’s quest is at once astounding and hilarious… History stalks the landscape at every turn.” The American Monument. […]