The Montgomery County Alabama Sheriff’s Office discovered arrest logs and photographs from the time of the Montgomery Bus Boycott (1955-56) and the Freedom Rides (1961).
“The time when a picture is taken is like an emotion, it’s like a sexual encounter. It’s like a fuck! So, timing is very important.”
“Every dried out mummy-corpse, every dead child, every snarl of these fucking dogs – it’s like they invade my dreams- I can’t get relief either awake or asleep.”
“I came to believe that there was something more meaningful going on––something stronger and more compelling, something that seemed almost woven into the fabric of the American psyche.”
Excerpts from “Shashin Workshop No. 8.” Japan: Shashin Workshop Group, 1976, First Edition, PB, 72 pp, 28 x 14 cm, b/w photos, text in Japanese. Nobuyoshi ARAKI, Daido MORIYAMA, Shomei TOMATSU, Noriaki YOKOSUKA, Masahisa FUKASE, Eikoh HOSOE, Seiji KURATA, editors/photographers A rare volume from the scarce Photography Workshop Group founded […]
Dutch photographer and filmmaker Ed van der Elsken relocated to Paris in 1950. There he found a bohemian group and began closely following and photographing their everyday movements, intertwining fiction and reality in a new genre of photography book. The book focuses on the Left Bank of Paris at the time when the area was […]
2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay, written by Kubrick and Arthur C. Clarke, was partially inspired by Clarke’s short story “The Sentinel“. Clarke concurrently wrote the novel 2001: A Space Odyssey, […]
William Gedney, largely unknown in art world, outside of a few colleagues and curators, including John Szarkowski, Lee Friedlander, and Diane Arbus.
Many Japanese photographers came to New York to take photographs in the seventies and eighties, Kitajima arguably produced the best. Keizo Kitajima spent six months in New York roaming it’s gritty streets and hanging out in its clubs. He presented a vision of eighties New York, full of energy, decadence and moments of […]
“There is a sense in which this kind of photography involves taking something from people without giving them something in return.”
Mark Ruwedel is an artist who has been photographing American deserts and other remote locations for over 25 years. With an affinity for stark, barren landscapes that are otherwise uninhabited, Ruwedel found the desert and it soon became his primary field of inquiry. Influenced by photographers Lewis Baltz, Walker Evans and Robert Adams, Ruwedel’s […]