Lewis Baltz: “Park City” (1980)
Albuquerque, New Mexico and NE Artspace Press and Castelli Graphics, 1980 (All images @ Lewis Baltz) ASX CHANNEL: LEWIS BALTZ
RENNIE ELLIS: “KING’S CROSS” (1970-71)
(All rights reserved. Images @ the Estate of Rennie Ellis.)
WALKER EVANS: “POLAROIDS OF WOMEN”
“I’ve now taken up that little SX-70 camera for fun and become very interested in it. I’m feeling wildly with it. But a year ago I would have said that color is vulgar and should never be tried under any circumstances. It’s a paradox that I’m now associated with it and in fact I intend […]
Dry Bodies, Bad Dreams, Haifa Street. Found Images from the Iraq War.
“Every dried out mummy-corpse, every dead child, every snarl of these fucking dogs – it’s like they invade my dreams- I can’t get relief either awake or asleep.”
Christine Osinski – “From Staten Island”
Christine Osinski moved to Staten Island, New York in the early 1980s and immediately felt at home. Osinski had grown up on the South Side of Chicago and Staten Island had the same kind of muscular, working class sensibility she was accustomed to. Between 1983 and 1984 Osinski walked the borough with a […]
Roswell Angier: “Combat Zone”
In the 1950s, when Boston was a major Navy port, the area around Washington Street became known as the Combat Zone; the name derived from the Shore Patrolmen, who prowled the rock-and-roll bars, busting the heads of sailors. By the 1970s, when Angier spent two and half years (1973-1975) photographing the area, the sailors […]
Walker Evans – ‘American Photographs’ Installation at MoMA, New York City (1938)
Installation View of “Walker Evans: American Photographs” at The Museum of Modern Art, New York City, September, 1938. © Walker Evans Archive, The Metropolitan Museum of Art
Enrique Metinides: ‘Death in Mexico City’
ASX CHANNEL: ENRIQUE METINIDES
ARTHUR ROTHSTEIN: “SELECT PICTURES FROM THE FSA PROJECT”
Eihoh Hosoe: “Photographs”
“To me photography can be simultaneously both a record and a mirror or window of self-expression… the camera is generally assumed to be unable to depict that which is not visible to the eye and yet, the photographer who wields it well can depict what lies unseen in his memory.” – Eikoh Hosoe ASX CHANNEL: […]
Robert Frank’s “From the Bus” (1958)
In the summer of 1958, several months before The Americans made its debut in France, Frank began experimenting with moving pictures.
ANONYMOUS IRAQ WAR
The Punk Rock Photography of Jim Jocoy – SF/LA 1977-1980
These photos are ground zero of punk rock style—delirious innovation and a snarling takeover of youth culture still resonating more than 20 years hence.
HELEN LEVITT: “COLOR” (1971-1981)
Helen Levitt (August 31, 1913 – March 29, 2009) was an American photographer. She was particularly noted for “street photography” around New York City, and has been called “the most celebrated and least known photographer of her time.” ASX ARTIST CHANNEL: HELEN LEVITT (All images @ and courtesy of Helen Levitt Estate)
Dash Snow – Collage
Dash Snow’s collage-based work was characterized by his practice of using his own semen as a material applied to or splashed across newspaper photographs of police officers and other authority figures.
Araki’s Chiro, Yoko, Death and the Baring of a Soul
In Sentimental Journey and later in Winter Journey Araki documented both the intimate and the mundane from his honeymoon and his wife’s terminal battle with cancer. By blurring the boundaries between life and art Araki’s work becomes uncomfortably candid, presenting death with a reverence as shocking and graphic as any of his more erotic […]
Keizo Kitajima’s Street Portraits of 1980’s NYC
EXPLORE ALL KEIZO KITAJIMA ON ASX (All rights reserved. Images @ Keizo Kitajima.)
Todd Hido: “House Hunting” (2001)
“Todd Hido’s large color photographs of suburbia are lonely, forlorn, mysterious… and strangely comforting. Hido photographs the interior rooms of repossessed tract homes, and the outsides of similar houses at night whose habitation is suggested by the glow of a television set or unseen overhead bulb. Seldom does the similar evoke such melancholy. Yet rather […]
LARRY SULTAN & MIKE MANDEL: “EVIDENCE”
From 1975-1977, Larry Sultan and Mike Mandel selected photographs from a multitude of images that previously existed solely within the boundaries of the industrial, scientific, governmental and other institutional sources from which they were mined. The project, “Evidence”, was funded by a grant from the National Endowment for the Arts, and was one of […]
Lewis Hine: “Unfavorable Positions”
Jean Depara: “Kinshasa” (1951-1975)
Lemvo Jean Abou Bakar Depara, known as Depara (1928–1997), was an Angolan-born photographer who worked in the Democratic Republic of Congo. Depara purchased his first video camera to record his wedding in 1950; four years later, he was made official photographer to the Zairian singer Franco. In 1975 he became official photographer to the […]
Walker Evans: “American Photographs” at MoMA, NYC” (1938)
Andy Warhol: “Polaroids”
From 1970 to 1987 Andy Warhol took scores of Polaroid photographs, the vast majority of which were never seen by the public. These images often served as the basis for his commissioned portraits, silk-screen paintings, drawings, and prints. EXPLORE ALL ANDY WARHOL ON ASX (All images @ Andy Warhol Foundation)
Slim Aarons – See How the (White) 1% Live
(All rights reserved. @ the Estate of Slim Aarons.)