Ed van der Elsken – “Love on the Left Bank” (1954)
Dutch photographer and filmmaker Ed van der Elsken relocated to Paris in 1950. There he found a bohemian group and began closely following and photographing their everyday movements, intertwining fiction and reality in a new genre of photography book. The book focuses on the Left Bank of Paris at the time when the area was […]
America’s Race Riots of the Sixties
In the early 1960s, African Americans in cities nationwide were growing frustrated with the high level of poverty in their communities. Since the years immediately following World War II (1939–45), middle-class white Americans had been leaving the cities for nearby suburbs. Businesses that had once provided jobs and tax funding in the cities were leaving […]
MIKE DISFARMER: ‘DISFARMER PORTRAITS’
GARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”
Women are Beautiful EXPLORE ALL GARRY WINOGRAND ON ASX (All rights reserved. Images @ the Estate of Garry Winogrand
JOHN HINDE STUDIO – “BUTLIN’S”
Robert Frank’s “From the Bus” (1958)
In the summer of 1958, several months before The Americans made its debut in France, Frank began experimenting with moving pictures.
CARLO MOLLINO: POLAROIDS, ETC (1962-1973)
In a career that spanned more than four decades, Carlo Mollino designed buildings, homes, furniture, cars, aircraft. One of the most dashing figures of mid-century Italy, Mollino was famed for his design finesse and his elegant organicism. In 1949 he published an important book on photography: Message from the Darkroom. Sometime around 1960, he […]
THOMAS RUFF: “NUDES”
(All rights reserved. Images @ Thomas Ruff.)
HELMUT NEWTON: “COLOR”
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Vintage Burlesque from Mexico
TONY STAMOLIS: “FREZNO”
Frezno (All rights reserved. Images @ Tony Stamolis)
MARGUERITE BAKER JOHNSON: “AMERICAN LIFE” (1952-1964)
Marguerite Baker Johnson, a native of Brussels Belgium was a noted female photographer noted as the first woman to take photographs inside the arena at “Cheyenne Frontier Days”, a task formerly conducted by men due to the dangerous setting. Her photos appeared in the New York Times, Chicago Tribune, Automotive Periodicals, London Times, Daily Mirror, […]
NACIO JAN BROWN: “RAG THEATER” (1969-1973)
“There is a sense in which this kind of photography involves taking something from people without giving them something in return.”
William Reagh Loved Los Angeles and He Was Faithful to Her for 50 Years
William Reagh loved Los Angeles and he was faithful to her for 50 years.
ASGER CARLSEN: “WRONG”
LARRY CLARK: “TULSA”
Edward Hopper: “Survey” (1882-1967)
Edward Hopper (July 22, 1882 – May 15, 1967) was a prominent American realist painter and printmaker. While he was most popularly known for his oil paintings, he was equally proficient as a watercolorist and printmaker in etching. Both in his urban and rural scenes, his spare and often melancholy renderings reflected his personal […]
BETTIE PAGE: “Camera Club”
Vivan Maier: Chicago’s Street Photographer
Vivian Dorothea Maier (February 1, 1926 – April 21, 2009) was a street photographer.
The Lomax Collection: “American Folk”
The collection includes 400 snapshot photographs made in the course of sound recording expeditions carried out by John Avery Lomax, Alan Lomax, and Ruby Terrill Lomax, between 1934 and ca. 1950 for the Archive of American Folk-Song.
The American Psyche on Display: Roger Minick’s ‘Sightseer’
“I came to believe that there was something more meaningful going on––something stronger and more compelling, something that seemed almost woven into the fabric of the American psyche.”
Lee Friedlander: “The New Cars 1964” (2011)
In 1964, two young art directors at Harper’s Bazaar named Ruth Ansel and Bea Feitler hired the then up-and-coming photographer Lee Friedlander to photograph the much-anticipated new car models of that year. Friedlander’s jazz album covers had proven he knew how to work on assignment, and Ansel and Feitler realized that if Bazaarwas to […]
Todd Hido: “House Hunting” (2001)
“Todd Hido’s large color photographs of suburbia are lonely, forlorn, mysterious… and strangely comforting. Hido photographs the interior rooms of repossessed tract homes, and the outsides of similar houses at night whose habitation is suggested by the glow of a television set or unseen overhead bulb. Seldom does the similar evoke such melancholy. Yet rather […]
Araki’s Chiro, Yoko, Death and the Baring of a Soul
In Sentimental Journey and later in Winter Journey Araki documented both the intimate and the mundane from his honeymoon and his wife’s terminal battle with cancer. By blurring the boundaries between life and art Araki’s work becomes uncomfortably candid, presenting death with a reverence as shocking and graphic as any of his more erotic […]
Helmut Newton: Evi in Beverly Hills
Evi, Beverly Hills, 1996 “I like the idea of trespassing. I got to write that down too. It’s quite true that what I am aiming at, even when I take portraits, is to get a scandalous picture. I would love to be a paparazzo.” – Helmut Newton EXPLORE ALL HELMUT NEWTON ON […]
ISSEI SUDA: “NITIZYOU”
Issei Suda was born in Tokyo in 1940 and graduated from the Tokyo College of Photography in 1962. He worked as a freelance photographer from 1971 and taught for many years at the Osaka University of Arts. (All rights reserved. @ Issei Suda.)
WATANABE KATSUMI: “GANGS OF KABUKICHO”
The subjects in Watanabe’s photographs are the prostitutes, street people, Drag Queens, entertainers and gangsters (Yakuza) that populated Kabukicho at night.
CRYSTAL K.D. HUIE: “ARKANSAS” (1972)
ELINOR CAHN: “EAST BALTIMORE DOCUMENTARY SURVEY PROJECT” (1970’s)
ANTHONY HERNANDEZ: “LOS ANGELES PUBLIC TRANSIT AREAS” (1975)
ASX CHANNEL: ANTHONY HERNANDEZ (All images @ and Anthony Hernandez)
Berenice Abbott – The Photographer of New York City
Berenice Abbott can be considered the photographer of New York City. A revolutionary documentary photographer, Abbott was born in Springfield, Ohio, in 1898, and studied for one year at Ohio State University, Columbus, before moving to New York in 1918.
Shelby Lee Adams: “Portraits”
Araki Loves Polaroids
“The time when a picture is taken is like an emotion, it’s like a sexual encounter. It’s like a fuck! So, timing is very important.”
Lewis Hine: “Unfavorable Positions”
Larry Clark – ‘Tulsa’ (1971)
ASX CHANNEL: LARRY CLARK (All images @ Larry Clark)
ARTHUR ROTHSTEIN: “SELECT PICTURES FROM THE FSA PROJECT”
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