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Daido Moriyama Photographs Rebellion, Deconstructs Himself

Photographer Daido Moriyama reflects on the rebellious youth culture of late 1960s Japan, a period when he and his colleagues were working on the avant-garde photography magazine Provoke (1968–69). He discusses his attempt to deconstruct the medium in his series Shashin yo sayonara (Farewell Photography) (1972), though it ultimately deconstructed him.

Pier 24 – “Todd Hido: House Hunting” (2013)

Todd Hido: House Hunting Presented in the Pier 24 Photography exhibition HERE. May 23, 2011 – January 31, 2012 Todd Hido’s color photographs of domestic landscapes reflect the artist’s interest in the themes of home, family, and memory. Taken at night, his photographs depict anonymous dwellings, their windows glowing in the soft darkness; the resulting […]

Trevor Paglen – The Last Pictures (2017)

Trevor Paglen is documenting the hidden operations of covert government projects and examining the ways that human rights are threatened in an era of mass surveillance. Trevor Paglen is a 2017 MacArthur Fellow. Paglen earned a B.A. in 1998 from the University of California at Berkeley, a Master of Fine Arts degree in 2002 from the School […]

A Conversation with Simon Baker – On Conflict, Time, and Photography (Pt. 4)

Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 4 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]