WALKER EVANS Allan Sekula, Against the Grain: An Interview with David CampanyInterviewsWalker Evans on What Makes a ‘Good Photograph’ and Avoiding ‘Too Much Pictorialism’ (1971)HighlightsInterviewsAn Interview with Walker Evans: ‘The Thing Itself is Such a Secret and so Unapproachable’ (1974)DocumentaryInterviewsMastersAn Interview with Walker Evans Pt. 1 (1971)DocumentaryHighlightsInterviewsWalker Evans: “Message from the Interior”HighlightsReviewsAn Interview with Bruce Jackson: American Prisoners, Death Row and Walker EvansInterviewsWalker Evans: “A Penitent Spy (Excerpt)” (2000)DocumentaryEssaysMastersWalker Evans’s ‘Counter-Aesthetic’ (2003)DocumentaryEssaysHighlightsWALKER EVANS: “DRIVE-BY PICTURES”DocumentaryGalleriesWALKER EVANS: “POLAROIDS OF WOMEN”GalleriesHighlightsWALKER EVANS: “AMERICAN PHOTOGRAPHS AT THE MUSEUM OF MODERN ART, NEW YORK CITY” (1938)ExhibitionsGalleriesWalker Evans – The Poetry of Plain Seeing (2000)DocumentaryHighlightsWalker Evans and African-American Flood Refugees in Forrest City, Arkansas (1937)GalleriesThe Enemy Today: ‘Let Us Now Praise Infamous Men’ReviewsWalker Evans – “Many are Called” (1938)GalleriesMastersWilliam Gedney: Journal Entries on Kentucky, Sex and Diane ArbusDocumentaryEssaysHuman Endeavour and Historical Process: The Landscape Photography of Mark RuwedelOtherWalker Evans – ‘In His Own Words’ (2012)MastersThe Muse of Place and Time: An Interview with William Christenberry (2004-2005)InterviewsWalker Evans and Robert Frank – An Essay on Influence by Tod Papageorge (1981)Artist Short ListDocumentaryEssaysStreet PhotographyAaron Schuman: Slant InterviewEssaysInterviewsJohn Lehr: The Island Position InterviewInterviewsWilliam Eggleston: Making a Name, the Southern WayArtist Short ListAn Interview with Walker Evans (1971)DocumentaryInterviews
