“Making Visible, Making Strange: Photography and Representation in Kracauer, Brecht and Benjamin” (2007)
By Steve Giles, New Formations, June 22, 2007 KRACAUER ON PHOTOGRAPHY One of the most striking aspects of Thomas Levin’s recent translation of Kracauer’s Weimar essays is its inclusion of photographic material from the 1920s and early 1930s which typifies the ‘new photography’ associated with the Neue Sachlichkeit movement. (1) Kracauer’s 1927 essay on photography, […]