Dana Lixenberg De Wallen Amsterdam

  With Dana’s work, one cannot help but be mesmerized by her ability to capture people in situ. Her career has been broadly defined by her portrait work, both commercially and for her own personal subjectivity. Whereas having a career built on poraiture no doubt inspires a healthy relationship with the craft of photography, there […]

Pas de Culte Roman Kienjet & Willem Van Zoetendaal

Growing up in the 90s, transgression in art, as far as I understood, stemmed from the oppressive neoliberalist tendencies carried over from the 80s. Degrees of Thatcherism and Reaganism haunted the landscape of artistry, alongside many questions arising from social issues concerning the body. Gay rights and the grappling of feminism, and more essentially, its […]

Tatu Gustafsson I on the Road

    These photographs were taken by weather cameras in Finland every twelve minutes. From that point, the Finnish weather authorities/authorities who observed the weather uploaded the images online to be viewed for 24 hours before they disappeared. This presented an opportunity for Finnish artist Tatu Gustafsson to perform for the weather camera and document […]

Awoiska van der Molen – The Humanness of Our Lonely Selves

  2024 has been an excellent year for photobooks. I am surprised that after the past few years with fewer titles surfacing into greatness, 2024 has presented so many outstanding titles. It gives me a bit of hope that the medium is picking up again, though I suspect inflation and a general shrinkage of audience […]

Thana Faroq – How Shall We Greet the Sun

  I am quite taken with the text in Thana’s excellent new book, How Shall We Greet the Sun, published, like her last book, I Don’t Recognize Me in the Shadows, by Lecturis. I am uncertain exactly how she is engaging with the concepts of sentimentality and nostalgia, being that she seems to be using […]