
Incoming: Photography, Contemporary Art, Whiteness
“Is Mosse really showing us the plight of migrant subjects, or indirectly something of his work’s own quandary, and by extension, white photography’s lack of critical engagement with race?”
“Is Mosse really showing us the plight of migrant subjects, or indirectly something of his work’s own quandary, and by extension, white photography’s lack of critical engagement with race?”
“Since I was a child, I’ve had a fantasy of hiding in a retail space just before it closes, and coming out at night to merely walk around, re-arrange some things, and maybe sit or lay on some furniture, nothing harmful whatsoever. Snow Cab felt like a fulfilment of that childhood fantasy, within a 6 floor, or 60,000 square foot retail space.”