Madrid, 1933 Cartier-Bresson generated the type of admiration he both enjoyed and ran away from.   By Bruno Chalifour, Afterimage, Sept-Oct, 2004 A lot has been written, and more will be, about the life in photography of Henri Cartier-Bresson. If Europe contributed to the medium in the twentieth century, Cartier-Bresson, a.k.a. HCB, probably stood among the […]