Bernhard Fuchs Hayloft

    There is a photograph by Frederick H. Evans from 1896, entitled “In the Attics,” in which the artist captures the improbably clean space of Kelmscott Manor, the home of Arts and Crafts movement pioneer William Morris. The photograph presents the attic as a type of raw liminal space, where the viewer can identify […]

Laurenz Berges – Das Becherhaus in Mudersbach

  Full Article on Patreon     …Further images within images add to the sense of a lived space as Becher family photos from the 20s and 30s adorn mantels and countertops, with a finesse of an image, ala the Bechers, of a water town, sat, out of frame, lithely resting against a presumed wedding […]

Bernhard Fuchs Autos: A Forensic Realism, A Forensic Melancholy

The Full article can be found on Patreon   “The sadness that overwhelms us, the retardation that paralyzes us, are also a shield—sometimes the last one—against madness” ― Julia Kristeva, Black Sun: Depression and Melancholia   “On my bicycle tours, time and again, I saw passenger cars, buses, and trucks that just stood around. I […]