Stephen Shore – “Interview – American Surfaces” (2011)

An interview shot on location at the Armory Show in New York with acclaimed photographer Stephen Shore. Stephen discusses his formative years working closely with Andy Warhol at The Factory and the New York art scene before he began the epic journey that introduced colour photography to the art world.   ASX CHANNEL: STEPHEN SHORE  

William Eggleston: Introduction to ‘Ancient and Modern’ (1992)

“In the late Sixties Eggleston turned to the use of color transparency film and photographed prolifically. William Eggleston: Introduction to Ancient and Modern By Mark Holborn William Eggleston was driving with the writer Stanley Booth from Georgia to Tennessee. It was 1978 and Eggleston had acquired an early Kodak instant camera. He started to photograph […]

A Conversation Between Lewis Baltz and John Gossage (2010)

“For me the word ‘photographer’ talks about the means of delivering certain kinds of information, feelings and such. If you’re consistently focused on the means of delivery, it means you’re not getting the message across very clearly.” – John Gossage   Interview by Monte Packham Lewis Baltz and John Gossage depict man’s contentious impact on […]

The Garry Winogrand Problem (1988)

Shooting inordinate amounts of film, Winogrand charted a vast, freebooting odyssey through three-and-a-half decades of American culture.     Garry Winogrand: . . . ‘I forgot what year when Robert Frank’s book came out. He was working pretty much around that time, ’55 or whenever it was. And there were photographs in there, particularly that […]

William Klein: “Life is Good & Good for You in New York” (2010)

 Everything about him suggests an anarchic temperament, capable of playing any worldly system to the hilt and then throwing away its benefits.   Brought to ASX by Errata Editions. Full essay included in Books on Books #5 William Klein: Life is Good…New York! By Max Kozloff, Excerpt from William Klein and the Radioactive Fifties, originally appeared […]

William Eggleston – “Sit-In at the Fotomat” (2010)

Looking at Eggleston’s Before Color pictures, newly reborn, requires an odd energy of de-colorization.   By Tim Davis For years, Tod Papageorge, the head of the Photography Department at the Yale University School of Art, would begin student critiques of color pictures with the question, “Why color?” Color was an aesthetic choice and Papageorge felt […]

The Photographer in the Beat-Hipster Idiom – Robert Frank’s The Americans

from ‘The Americans’ @ Robert Frank   Frank’s personality, described by Joyce Johnson as a blend of “European dourness and pessimistic wit,” certainly helped to focus his photographic vision.   By George Cotkin, Professor, Postwar United States Intellectual and Cultural History, California Polytechnic State University Few analysts have captured the sadness, tensions, ironies and possibilities […]

Robert Frank’s America (1982)

The feeling among them was unanimous: this was not how America was to be shown. But what was at issue was a larger matter than patriotism. The challenge of Frank’s work in the late ’50s lay in his treatment of his subject matter and in his use of a photographic style well out of the […]

WILLIAM EGGLESTON: “Before Color” (2010)

By Doug Rickard William Eggleston is a “Southern” artist. Without a deeper explanation, this statement itself could mean a few things. If you look at the body of his work on the whole, the majority of it (almost all) is set within the Southern environs of the US… places like Tennessee, Alabama, Georgia, Kentucky and […]

Stephen Shore: “Uncommon Places” (2004)

In 1982, a slender yet hugely impressive version of Uncommon Places was released. Its impact was felt almost immediately, forever changing the course of art photography, and securing Stephen Shore a place within the canon of photographic history.   By Aaron Schuman, originally published in Modern Painters, Spring 2004 Few teenage boys possess the confidence […]

Boris Mikhailov – A Terrible Beauty

 What does it say about us who look at them?   A Terrible Beauty By Sue Hubbard Boris Mikhailov is sixty-three, has dyed black hair, a white moustache and a young wife. Born in Kharkov in the Ukraine, he has recently exhibited at The Photographers’ Gallery, just been awarded the Citibank Photography Prize and is […]

William Eggleston: “Afterward from The Democratic Forest” (1988)

“The blindness is apparent when someone lets slip the word ‘snapshot’. Ignorance can always be covered by ‘snapshot’. The word has never had any meaning. I am at war with the obvious.”   William Eggleston in Conversation with Mark Holborn (Afterward from The Democratic Forest) “I was in Oxford, Mississippi for a few days and […]