Boris Mikhailov was born in Kharkov, Ukraine and came to prominence in the 1990s. His work often focuses on the politics of everyday life during the Soviet era and its aftermath. In Red 1968-75, Mikhailov depticts life in and around Kharkov, using the colour red as a symbolic reminder of the inescapable presence of the […]
‘Chronicle’ by the Shilo Group (Sergiy Lebedynskyy and Vladyslav Krasnoshchok) is a field guide study in monochrome of various fires lit to burn various bridges across the Ukraine.
Flies dancing in the light hovering above his eye, occasionally dropping to his occulus to suck at the seam of his eyelid; some sweet nectar from his unproven young tear duct. The tram screeches to a halt, its connecting magnetic antennae cascading sparks across the front of the train. The driver yelling inanities and expletives […]
Are these “interrogations” real or is this just a graphic experiment meant to help us imagine the way that power is wielded behind closed doors? By Paul Loomis, August, 2012 Whether or Not the Guns are Loaded Interrogations is a collection of photographs taken in Russia and Ukraine over six years of travel by Donald […]
From Case History, 1999 Boris Mikhailov: A New Metaphysician By Helen Petrovsky If we were to define photography today, we would have to posit its essential anonymity. To be more precise, we would have to rethink the very conditions of its theorizing: it is no longer “my” photograph that has to be redeemed by being […]
What does it say about us who look at them? A Terrible Beauty By Sue Hubbard Boris Mikhailov is sixty-three, has dyed black hair, a white moustache and a young wife. Born in Kharkov in the Ukraine, he has recently exhibited at The Photographers’ Gallery, just been awarded the Citibank Photography Prize and is […]