It was the best of years…. Once again it is that time of year where I try to drum up some sort of edit from all of the incredible work the photography book world offers up. This year is difficult as I felt it has been one of the strongest years in recent […]
“The “focus” is very eclectic as are my tastes. They are always changing and have been enlarging these past years. The collection has been very contemporary-based from the start and that is still true”. -GCB
“So, when you look at these images, you have to understand the basic principal of the work, but also a sort of mythical sacred geometric ability to render form within an existing image that which has been removed with an exactitude of skill much above that which most people are able.”
You see kids… smoking and ingenuity continue to cross paths and it is our duty to consider not only the goat but also the legend of Chase England’s “Alive with Pleasure”.
“Work by established artists can help position and elevate the work of a recent graduate, whilst the graduate’s work re-contextualizes and refreshes the established work”. Flowers Gallery Chris Littlewood Interview @ Unseen Photography has played an integral part of the program at Flowers Gallery since its inception in 1970. One of the first to open […]
”Thomas sent across a very polite email, stating, ‘I am mostly interested in the surprising way you could digest such a body of material. I contacted you because I think your collages are truly spellbinding…’” By Brad Feuerhelm, ASX, September 2015 Melinda Gibson has flown to China to collaborate with Beijing Silvermine mastermind Thomas Sauvin […]
With Silvermine, is your determination to collect this material purely driven by geography? Or do you have a China fetish? Thomas Sauvin occupies a strange place in photography. His output is sincere, his knowledge of classic hiphop is un-fuckwittable, and his publications are highly coveted gems in the photographic book fetish world. That, […]
“In the beginning, I thought it would be a one-time thing. He sold me a huge bag. But every one or two months he was calling me again and for four years I kept collecting all of them. Now the archive is more than half a million negatives. So that’s how it all started.” […]