“There are downsides of course to these multiple identities. You can find yourself developing a bit of a split professional personality and it can make it difficult at times to know where to best direct your energies. Other people struggle with your split loyalties as well.”
“Haunted by a crisis of faith in its authenticity, the documentary genre is continually trying to re-position itself in relation to today’s excesses of a post-truth ideology and blurred frames of realism.”
What aspects of this collaboration, both Thompson’s and Reynolds’ are complicit in the same ideology and methodology of representation that perpetuates this distance between the photographic, its technological apparatus and its subject matter?
“It is an aesthetic examination of the material of everyday life that barely impinges on representational issues and I love that about it.”
“Instead of seeing Goldin’s re-edit as encompassing the visibility of any specific group, it invites reconsideration in an approach delinking the narrative of otherness towards what I see as a photographic project of genuine care.”
“I do not want to represent, full stop. I want to present the outcome of correspondences. And I want those outcomes of correspondences to not be final results but part of potential other correspondences.”
“I discovered an enormous story full of ramifications, a contemporary tale of corporate impunity, a mafia-like way of doing business, lies that affected and are affecting thousands of people and communities around the world.”
“I went with Laura looking for gay go-go bars and assisting her to shoot in brothels and demolished hotels, I shot with Daisuke in backstreets at night (he was photographing with some weird infrared hunting device) while Hiroshi was using a document hand-scanner to capture surfaces and the intricacy of bed-sheets, lingerie and curtains, later on we found out he also scanned bodies. I spent the nights with Olivier wandering the dark corners of Chinatown.”
“To me, The Ramayana is not only about Hinduism, it is about life in the first place. About love, loss, family, honor, success and failure… Things we all experience in our life, no matter your beliefs, religion, etc.”
“Luc Sante, an American writer and photographer, who was from Belgium originally, said my pictures look like unexploded bombs, there is so much energy in them. They look quiet, but inside, they are full of energy, that is waiting to explode. So, I think people are feeling there is more than only the image.”
“Everything about the city made me uncomfortable and raised questions: the landscape, the atmosphere, the situation, the agitation, etc. It seemed so imperfect. I wanted to understand this chaos.” To the West, is the Atlantic Ocean and the Americas. Facing East, the huge Sahara Desert. The city of Dakar in Senegal sits in between these […]
“It is not as a blackout from his own memory but to revitalise the missing parts, to allow himself and the viewer to fall into the image, to find oneself in that space.”