
Xiaopeng Yuan: The Liminality of Capitalist Anxiety
“This set of images playfully break advertising’s conceptual ethos and artifice and instead represent real-world, unorthodox behaviours.”
“This set of images playfully break advertising’s conceptual ethos and artifice and instead represent real-world, unorthodox behaviours.”
“The desire to be home and the sorrow of separation creates a new narrative within my images, which is now the narrative of my life, or in light of what is happening globally, narrative of our lives.”
“The other reason is the question of memory – in line with the invention of the medium, mass images of the dead emerged in the second half of the 19th century. A fashion wave that is not only reserved for the nobility and clergy, but also for simple people, in order to have a portrait, a memory picture of someone at all”. -Felix Hoffman
”Start to live; start to see how you can be dead and alive at the same time instead of alive and alive.”
If it is a rarity in our society to experience death in its moment, our mediated selves consume it daily through TV and film. Ever since Viet Nam, our living rooms have been the sites of death and destruction. Nagasaki Journey: The Photographs of Yosuke Yamahata By David L. Jacobs, Afterimage, Summer, 1996 Where adults see […]