Christopher Anderson Son

Every photographer parent that I know has what to the non-parenting world seems like a self-indulgent family album project. Every. one. of. them. Myself. included. Some have several. Making photographs of the family is part of the experience of getting through life. We use the camera to illustrate the mundane, the banal, and the exciting […]

Laurenz Berges 4100 Duisburg

    In reading Darius Khondji’s interview with American Cinematographer Magazine from November 5th, 2018 regarding his cinematography work on various films, including David Fincher’s epic noir Se7en (1995), I am reminded of the significance that color balance plays when sculpting atmosphere in a film and also in a photographic body of work. In regarding […]

A Conversation Between Robert Morat and Matteo Di Giovanni

RM: What is “home“ to you? Maybe also talk about where and how you grew up and where you feel your roots are. MDG: This is a question I’ve been asking myself many times in the last few years and – to be frank – I still don’t have a definitive answer. I’m more prone […]

Support the Shops: Interview With Photo Book Corner Rui Ribeiral

BF: Photo Book Corner has just taken up new quarters, new premises in Lisbon. Is this the first shop that you have had for the Photo Book Corner? Can you perhaps give us a little insight into when you started working with books? Did you come through photography or was this started from the book […]

David Billet & Ian Kline’s Rabbit/Hare Texas Reason

“The picture stays in the kid. Tell heaven don’t wait for me”   What is an image produced if not the perversion of self either in or out of frame? Authorship is dictatorship, no? What to do with a pare?   Game Over, and if this isn’t an obvious affront to the Texas that I […]

Jurgen Teller & Harmony Korine William Eggleston 414

  “There is an emphasis on banality, but also the whispered markings of the south with dead deer and hand-painted signage”   William Eggleston 414 is a compelling book for what it is and what it is not. At first, when I saw the title in the Steidl catalogue, I simply thought it was a […]

Ruminations on Paul Graham’s A1 The Great North Road

  “The way in which we write history is tinged with this conundrum. It suggests blinders in the very least and in doing so, should compel an understanding of context that is piecemeal or limited”   It’s often difficult to unpack a particular body of work or historic book that has been republished without regarding […]

Americans Parade – an interview with George Georgiou

“Every image poses the question of American identity not just from the standpoint of our present reality, but from the playbook of iconic images – most of them from the twentieth century – that make up the history of American photography.”

David Heath: “Dialogues With Solitudes”

“It is true that he made images at a distance, at arms length as it were, but there is a considerable, rather a palpable feeling in the images that Heath is almost placing himself next to his subject”.

Anthony Hernandez Interview: Forever

“I went down there and saw all these little paintings of landscapes, houses, little beautiful scenes. The light on that picture is from reflections of cars going underneath the freeway. The whole roll was faint, faint, faint. And then there was the clown. There are so many places like this, it goes on forever.” On […]

John Maclean: The Agony and Ecstasy of Artistic Influence

“In a sense I was trying to complete a circle: I travelled to the neighbourhoods that had some bearing on the childhood development of my art-heroes and consequently on the art they made as adults, and then I tried to photograph these places through the ‘afterimage’ of the artistic influences these works had imparted on me”