Daphne Kotsiani These Earthly Shores

There is a penchant, over the past ten to fifteen years or so, for photographic image-making to re-examine landscapes as scratchy abstractions, almost imperceptibly detailed beyond the reach of their granular vistas. This is most evident in the work of Korean/American artist Jungjin Lee, whose series of books and bodies of work detail the shift […]

Gareth McConnell Window

  I have mentioned several projects in the past here that use the window as a mechanism for photographic discourse. There are quite a few mentions of the window as a source for inspiration; perhaps the most well-known is eminent curator John Szarkowski’s discourse about mirrors and windows, and the difference between how an artist […]

Julien Langendorff Spell Rider

Julien Langendorff, Spell Rider The roots of cosmic occultism stretch back as far in time as humans have been able to communicate. There is a hermetic order to the universe that has bewildered and engaged the species, giving license to conjecture, theory, and spiritual whim that exceed what lies before our faces. It is a […]

Marie Quéau Le Royaume

  I am trying to equip my early-morning brain with enough reference points to connect the dots in Marie Quéau’s book Le Royaume (Area Books). I should have been better prepared, as I have seen variations of work over the past decade and have been anticipating its release for some time. As I brood over […]

Pas de Culte Roman Kienjet & Willem Van Zoetendaal

Growing up in the 90s, transgression in art, as far as I understood, stemmed from the oppressive neoliberalist tendencies carried over from the 80s. Degrees of Thatcherism and Reaganism haunted the landscape of artistry, alongside many questions arising from social issues concerning the body. Gay rights and the grappling of feminism, and more essentially, its […]

Florian Merdes Steamcracker

  What strikes me as an interesting premise in Florian Merdes’s book Steamcracker is the enforced myopic rendering of details and patterns, which turns the book and its intense sequences into something minutely chaotic. There is a world underneath the surface of things, a rhythm and a dedication to line that emanates in Florian’s book. […]

Jens Klein Balloons

In 1870-1871, during the siege of Paris, better known as the Paris Commune, several ingenious actions were carried out throughout the year to continue the communards’ defense first against the Prussians, then the Thiers government, which sought to suppress the resistance within the heart of Paris. Both of these actions were the result of harnessing […]

Vincent Jendly One Millimeter of Black Dirt and a Veil of Dead Cows

As if the war legacy of Dunkirk had not already been recognized as a pivotal shit eating point in its past, its charred hand to swollen coal-crusted mouth, poisoned by ethanol overload and toxic industrial habitat, history has now favored turning it from a battle-scarred historical footnote into a vast hellscape busy with killing off […]

Pino Musi Polyphōnia

Reading cities by line has become a complicated chore in 2025. There are incongruent movements on the city streets, with all manner of debris and flotsam that collude to control our vision, distorting the potential of reading the city by line and encroaching on a sense of the city and our environment as orderly, maintained, […]

Christine Furuya-Gössler Photographs (1978-1985)

The fever dream that never ended. The late Christine Furuya-Gössler is one of the more complex icons in photographic history. Her face is recognizable at a distance, and numerous exhibitions and books have been made about her and her family, mostly by her husband Seiichi Furuya, a Japanese photographer living in Austria. What makes her […]

Nolwenn Brod Le Temps de l’Immaturité

  I know very little about Witold Gombrowicz, let alone Witold Gombrowicz’s book, Memoirs of a Time of Immaturity. Still, upon reviewing his biography, one can’t help but find him a fascinating character. One part Jean Genet, one part Jean-Paul Sartre, Gombrowicz’s work seems to embody the twentieth century’s anxieties, both in terms of the Holocaust and […]

Batia Suter Parallel Encyclopaediae

  “The past is not dead. It’s not even past.”-Aby Warburg.   Constellations, catalogues, and correlative image processing are at the fundament of Batia Suter’s efforts to respond to images that she deftly places in thick, long-running sequences, in which the associative power of images, in their constellation, invokes a response from the viewer based […]