“The paintings are beautifully grotesque and at one with the human condition. The bubbling and fungal masses are crude stand-ins for our own nature of fucking, feasting and dying”
“I personally cannot even “see” porn anymore. Perhaps I am desensitized, but I fail to adhere to the moralistic innuendo that is applied to a word like pornography.”
A short preview of Takashi Murakami’s solo exhibition “The 500 Arhats,” open at the Mori Art Museum in Tokyo, Saturday October 31, 2015 -Sunday March 6, 2016. ©2015 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.
And If, 1992 enamel on aluminum 52 x 36 in. (135 X 90 cm. First and foremost, Christopher Wool is a painter and when it comes to the discourse on the viability of painting, he shows us that the medium is indeed very much still alive. Excerpt from a Wright Auctions text on […]
“I have never thought of myself as a pop artist. However, when I was young there was a time when I was influenced by the methodologies and techniques of pop artists, such as Warhol.”
Bacon felt very strongly about phraseology. He erased words like ‘very, very’, or ‘well’, and ‘you see’, but added words like ‘accident’ and ‘artificial’.
No one was selling any work then, understand that. All these things that you know about now. I could tell you story after story.
Painting, 1946 @ The Estate of Francis Bacon “”I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. But I think they are merely fooling themselves. I mean, the act of birth is a violent thing, and the act […]
“Polke would make use of other people’s drawings or would reference amateur works. Also, his take on popular culture was not always about things that were recognisable.”
The Migration Series Panel no. 17 @ Jacob Lawrence “We know that the Negro artist does have a problem, you see. He has a problem far beyond that of the white artist, speaking generally. We know this. So we must say we know this, we accept this fact.” – Jacob Lawrence Excerpt from an Interview of […]
Sidney Janis, 1967 Silk-screening makes repetition part of the meaning of the image. Even one silk-screened print is felt as a repetition, and Warhol repeats these images until repetition is magnified into a theme of variance and invariance, and of the success and failures of identicalness. Prince of Boredom: The Repetitions and Passivities of Andy […]
Queen of Hearts, 1943-46 @ The Willem de Kooning Foundation “It is very interesting to notice that a lot of people who want to take the talking out of painting, for instance, do nothing else but talk about it.” – Willem de Kooning What Abstract Art Means to Me By Willem de Kooning, February […]