The Misadventures of Larry Clark (1997)

Half the commercial photographers in America have ripped Clark off at one time or another.   By Jim Lewis, Originally Published in Manhattan File, September – October, 1997 One afternoon earlier this year (1997), a woman called the Luhring Augustine Gallery on 24th Street from an apartment in SoHo. She understood that they represented the […]

Todd Hido: “Fragmented Narratives” (2011)

8906, 2009 Fertilizer is to the suburban lawn what cosmetics are to the suburban face: a fickle attempt to sweep ugliness under the rug with a splash of color.   By Ian Epstein I once heard someone remark that the desire to have a perfect lawn was not unlike the desire to have a piece […]

Bill Brandt: A Statement on Photography (1948)

“I am not interested in rules and conventions … photography is not a sport. If I think a picture will look better brilliantly lit, I use lights, or even flash.”   By Bill Brandt, First published in Camera in London, 1948 I had the good fortune to start my career in Paris in 1929. For […]

PETER HUJAR & DAVID WOJNAROWICZ: “Some Sort of Grace” (2010)

David Wojnarowicz, 1981 Some Sort of Grace – David Wojnarowicz’s Archive of the Death of Peter Hujar By Emily Colucci In his essay, “Living Close to the Knives,” on the death of his lover and artistic mentor Peter Hujar, a renowned New York photographer, David Wojnarowicz explains, “and his death is now as if it’s […]

David LaChapelle, Neo-Pop and Photoshop (2007)

With his garish images, David LaChapelle holds a mirror up to a hedonistic, lust-oriented and affluent society.   By Matthias Harder, originally published in Sleek Magazine for Art and Fashion, No. 13, Winter, 2006-2007 It is as if we were staring into the faces of Marilyn Monroe and Liz Taylor, as only Andy Warhol could […]

An Interview with Nobuyoshi Araki: Intimate Photography – Tokyo, Nostalgia and Sex (2006)

 “When two people make love, both people have to be naked. This (photography) is exactly the same thing.”   By C.B. Liddell, The Japan Times, November, 2006 Usually reviews of Nobuyoshi Araki’s work start by pointing out the contradictions “monster,” “genius,” “pornographer,” “artist,” etc. The greatest negative routinely cited is his attitude toward women, photographed […]

Frank Horvat with Helmut Newton (1986)

“This is why I continue accepting commissions, even though economically I don’t have to. Because making money gives me a kick, but also because 1 think it’s important for me to have the discipline, to work for somebody within a given frame. At least from time to time.” – Helmut Newton Frank Horvat with Helmut […]

Miroslav Tichý – Tarzan Retired

In the 1960s he began to neglect his appearance. He didn’t cut his hair or trim his beard and he wore a ragged black suit.   Miroslav Tichý: Tarzan Retired By Roman Buxbaum “O làsce šeptal tichý mech” (Of love murmured the quiet moss) Karel Hynek Màcha, Màj (1836) When I was a little boy, […]

TODD HIDO: “Two Way Street”

By Doug Rickard, ASX, August 2009 Todd Hido’s new and unpublished work walks a fine line, a line that exists in the viewer rather than Todd. The work seems to come into existence through the eye’s of a smeared-single-pane-window voyeurish fog. It is the adult-white-male fog of childhood memories, and the mental hot-iron-branding of broken […]