Alexander Rosenkranz: CITY CUT OFF

One can think of the urban environment in its various stages of building and tearing down as an interlocking mechanism similar to a pocket watch or Rubik’s cube. Each part of the city, its buildings, its billboards, and its many pieces interlock to provide traction for the cogs of the watch to continue its movements. […]

A Conversation Between Robert Morat and Matteo Di Giovanni

RM: What is “home“ to you? Maybe also talk about where and how you grew up and where you feel your roots are. MDG: This is a question I’ve been asking myself many times in the last few years and – to be frank – I still don’t have a definitive answer. I’m more prone […]

Mihai Șovăială’s Holding Pattern

      Infrastructure and industrial sites offer an abstract alternative to the everyday environment. Though most of the sites associated with infrastructure remain hard to visit for various reasons, most of which deal in “security” issues, their strange form and dispossession of people in general terms make their profiles eerily desirous to photograph. There […]

Mark Steinmetz Berlin Pictures

  “Berlin is a peculiar and magnetic geography…There is no real heavy concentration of a “center” or “downtown” though there are clusters of busier topographies within the city. For this very reason, it is easy to pass through Berlin in a very solitary manner”     Berlin is a peculiar and magnetic bit of geography. […]

Land’s End: Trauma is a Strange Attractor

“We are on occasion reminded on occasion of a great plague pit, its underground presence rewarded with a blue plaque to signify its existence as both a terrible debacle in our local history and yet it tellingly reminds us of the foreboding possibility for futures yet unspoken”   Trauma is a strange attractor. Just as […]

António Júlio Duarte: Against the Blackest of Days

  “There is noise, distortion, grain and the magnetic tape in my mind completely fails in parts to distribute any information at all. The images are dark, stained by the passing of time and the incredulous weight of dry heat. Throughout the song “Blackened” by Metallica plays over and over…”   When I look at […]

Peter Piller: Unheimlich As Above…

“A good number of the images allegedly had annotations written on the images such as “not interested in pictures”, “Deceased”, and “Looks better from the ground” written on them”

An Interview with Joachim Brohm (2013)

Taxi, from Ohio © Joachim Brohm, courtesy Brancolini Grimaldi   “That was the mid- to late 70s and photography was not an art at that time – it was photography. It was advertising photography, and it was journalism.”   By Fanny Landstrom, ASX London, March 2013 So, this is your first UK solo exhibition? Yes it is. […]

Joachim Brohm (1993)

Car on Fire, Ohio, 1983-1984 By Justin Hoffman & Charles V. Miller, Artforum, January 1, 1993 Joachim Brohm’s work demonstrates that there are other kinds of “straight” photography in Germany besides the “Becher School.” The effect of Brohm’s work is comparable to that of the Bechers: he equates reproduction and the autonomous image, realism and […]