“Self-apathy, self-torment, and a penchant for observations oscillating between peaks and troughs of life’s banes and boons-or what my friend Jeffrey Silverthorne once described as “Swedish grain syndrome”. “The photograph is for nothing”. Truer words are yet to be spoken. Another in a series of Constant Effigies and notorious negations. A child […]
JH Engström – CRASH at Värmlands Museum 8.9 2017 – 7.1 2018
“Upon opening the package a feather and an anvil fell onto my groin. I have carried them since like a pebble in my shoe that I refuse to set aside or extract”
“Finally, a “Eureka Moment”- the image I “took” belongs to Martin Parr, the Godfather of Gaudy. I know this not because I have any of his books or any desire to devote much attention to his work, I know this because I have the Internet”
“Honesty is as transient and fluid as it is integral to the material necessity of its host. We gain, we lose, we ignore and we digress”
Thatcher was out, the false promises of Blair’s lying and callous maw was in. The 80’s and 90’s were different.
“For me photography is an intimate medium. It helps expressing myself but after all, it allows me to be closer to life and people, to look straight into their eyes.” By Karin Bareman, ASX, September 2015 The sun blazing into the frame, the boy lying on the blanket in the grass, the girl showering after […]
Engström looks backwards but forwards too. Tout va bien – Everything is all right.
“I’m still in love with Paris. But then we are not in the beginning of our relationship, so I might look at it with more nuances than before.” JH Engstrom Interview, Brad Feuerhelm, ASX, April 2015 JH Engstrom’s incredible body of work circumnavigates the contemporary tradition of big dumb color photographs of abstracted nothingness for […]
A film by Linus Höök / Studio Tintin which was commissioned by the Hasselblad Center in Gothenburg for JH Engström exhibition Haunts in 2005. ASX CHANNEL: JH ENGSTROM (All rights reserved. Film @ Linus Höök)