Sam Contis Interview: Deep Springs
“I think the darkness at the periphery of the work also comes from a desire to acknowledge a certain brutality inherent to the history of the western landscape, and to the struggle for survival within it.”
“I think the darkness at the periphery of the work also comes from a desire to acknowledge a certain brutality inherent to the history of the western landscape, and to the struggle for survival within it.”
“The presentation of politics has become pure entertainment; just another unhealthy consumable good and both candidates got chewed up and swallowed that night, which felt very appropriate and was more therapeutic than I would have imagined.”
“I personally cannot even “see” porn anymore. Perhaps I am desensitized, but I fail to adhere to the moralistic innuendo that is applied to a word like pornography.”
“No it’s not!” I said, “I’m going to prove to you that it’s not. I can do this and it’s not pornography!”
“I was 28-years-old when I took my first photo, and it felt good.”
Excerpt from Popular Photography, August 1995 Q: When did you get the original assignment to photograph the drug scene? A: I made a trip to Detroit for Life in the late 1980’s to research the drug problem. It went badly. I couldn’t get anyone to help me break into the downtown Detroit scene. When I […]
“I was drawing upon things that I’ve learned and those are not necessarily intellectual things.” Dorian Devens and Philip-Lorca diCorcia, 2003 PLDC: I don’t consider myself to be an intellectual, you know, I think I’ve met enough intellectuals to know what a really smart person is… analytical I might be, but, you know, one […]
Engström looks backwards but forwards too. Tout va bien – Everything is all right.
With Silvermine, is your determination to collect this material purely driven by geography? Or do you have a China fetish? Thomas Sauvin occupies a strange place in photography. His output is sincere, his knowledge of classic hiphop is un-fuckwittable, and his publications are highly coveted gems in the photographic book fetish world. That, […]
“I don’t apply labels to my photographs. I’d much rather have Max Kozloff do that. He’s much better at understanding and describing what I do.”
“We live in an era where artists constantly have to self censor. In my experience more often to pander to a disingenuous idea of political correctness than to conservatism.”
“I’ve had photographs taken for portraits because I very much prefer working from the photographs than from them.”