HOLLYWOOD, ANKARA: SUPERFAMILIARITY and TERROR
“What is at work here is not that the image is iconic, but that it is graphic and SUPERFAMILIAR, which legitimizes its effect and distribution”
“What is at work here is not that the image is iconic, but that it is graphic and SUPERFAMILIAR, which legitimizes its effect and distribution”
“Images are certainly unavoidable in a future broadcast by terms of repetition over that of substance and acknowledgement in their immediacy of display”
“The image itself is being hailed as an icon of the current struggle between the American police state and the tremors of their abhorrent measure to kill young black Americans, which is no doubt racially and economically motivated”.