Hans-Christian Schink

A Conversation Between Robert Morat and Matteo Di Giovanni

RM: What is “home“ to you? Maybe also talk about where and how you grew up and where you feel your roots are. MDG: This is a question I’ve been asking myself many times in the last few years and – to be frank – I still don’t have a definitive answer. I’m more prone […]

Andreas Gehrke’s Berlin

“Berlin’s character is not in its facade, but rather its margins” Berlin’s legacy of the wall and the legacy of the war mark its facade and its imperial history like a pock-marked child whose scars were never allowed to heal due to the constant re-opening of their scabrous surface. Berlin is a […]

Hans-Christian Schink’s Slowness as Method in Hinterland

"Slowness as an idea is to suggest something still in the photographic image. If not still, it suggests something tectonic or glacial in pace" Slowness in photographic terms reflects an indebtedness to a few varying factors. One is of course technical. Large cameras take by comparison a very long time to set up and [...]