Bildband Berlin: Support Photography Bookshops #3

  “I’d been playing drums in a few bands, Th’ Faith Healers and Stereolab among others, and between tours and photo jobs I’d take off on photo projects of my own, often to Berlin. Eventually I got a place in Berlin, because I realised it had a lot of what London was losing, it’s a […]

Land’s End: Trauma is a Strange Attractor

“We are on occasion reminded on occasion of a great plague pit, its underground presence rewarded with a blue plaque to signify its existence as both a terrible debacle in our local history and yet it tellingly reminds us of the foreboding possibility for futures yet unspoken”   Trauma is a strange attractor. Just as […]

Benjamin Pfau: Isthmus, A Nocturnal Biopic

  “So, why do you go to Bangkok if you are under 50, able-dicked and not looking to run an anti-biotics course every Monday morning? You float, you drift and you embed yourself in loose associations that prohibit direct and long-term commitment to form, but rather situate the time spent in a separate category that […]

Ute and Werner Mahler: Kleinstadt Keep and Kin

“Main street includes, if followed at length, an exit to a highway or the autobahn. The community center and church are the gathering points in which social conditioning and inclusion or exclusion become modes of continuity for the community”.

Hayahisa Tomiyasu: TTP, An Immoveable Feat

“In a dialogue where it is often difficult not to mention “medium specificity”, it would be fair in jest to contemplate why photography’s utility is toward change and simultaneously toward stasis. Stasis is where comfortablility lies, but this position also breeds contempt.”

Eva Maria Ocherbauer: Interview Berlin West, Haus der Tat

“Berlin was cold and grey… but we made up the “scene” an alien escape from this condition… no morals, cold and hot and cruel and shiny, all at once… excessive for sure. The free spirit of the city supplied a fertile ground for life as an experiment”

Loops and Voids: A Perspective on Michael Schmidt’s Berlin Nach 1945

“Though the clues to what could be considered “absent” “voided” or “gone” are not to be entirely championed nor ignored, the work follows a circular format. It is an examination of place and home and the subject’s way of seeing the familiar and unfamiliar at the same time. This inquiry of Schmidt’s is adept if not deftly demonstrative.”

Peter Piller: Unheimlich As Above…

“A good number of the images allegedly had annotations written on the images such as “not interested in pictures”, “Deceased”, and “Looks better from the ground” written on them”

Satoshi Fujiwara: This City on Rails, It Pivots Relentlessly

”The whole city though I am only in a neighborhood seems capable of changing its face as I am carried through it offering possibilities for omni-architectural and urban planning on rails”. I have this repeating dream in which I am in an urban environment not dissimilar to Berlin. The buildings have a late nineteenth century […]

Greetings from Auschwitz: All I Miss is You

Images that travel; images for hire. The postmarking of images. The weathering and creasing defamation, which detracts the value of a post-card is insipid as to its method of its perceived “correct” representation or is it?