Elie Monferier Sang Noir

I was convinced that before writing this that I would have a few examples of books about hunting in my mind when I began to type, but I am drawing a blank. I can think of a few things like Les Krims The Deerslayers, I can imagine or conjure up some images of hunting in […]

Loïc Seguin’s Half-Light: Trusting Your Interior

  “There is a maturity involved in this process and a willingness to communicate in overly direct means a simple, yet solid message to the viewer”   One of the great compulsions towards photographic projects is to overcomplicate the frame and drive of a project through a sometimes compelling narrative that leads an audience through […]

Sophie Ristelhueber: “Facts of Matter” (2011)

  By Bruno Vandermeulen, Danny Veys, excerpt from Imaging History. Photography after the fact, 2011 The French artist Sophie Ristelhueber arrived in Kuwait seven months afater the war had ended, photographing aerial views and close-ups of the desert after the battle. The original title for this series, Fait, has a double meaning, translating both as “fact” – […]

Antoine d’Agata – “Anticorps” (2012)

Antoine d’Agata – Anticorps – Te zien van 26 mei t/m 2 september 2012 in het Fotomuseum Den Haag – http://www.fotomuseumdenhaag.nl Antoine d’Agata – Anticorps – On view from 26 May until 2 September 2012 at The Hague Museum of Photography – http://www.fotomuseumdenhaag.nl/en Video: Studio Gerrit Schreurs Volg/Follow Fotomuseum Den Haag: http://www.facebook.com/Fotomuseum http://www.twitter.com/fotomuseum

Antoine d’Agata – Until the World No Longer Exists

“A photograph is nothing but a lie. The space is cut off, the time, manipulated. They are two uncontrollably false appearances of an image condemned to choose between hypocrisy ­ and good conscience ­ and being fake.” – Antoine d’Agata  “What we see is not made up of what we are seeing but rather from […]

Lise Sarfati: “Molly #03” (2008)

Molly #03, 2008 58,5 x 43,7 cm LISE SARFATI French, born 1958 By Doug Rickard The room itself is quite an ordinary room. If you examine the details and remove the soft, young female from your mental focus you can feel the “oldness”. One can almost smell that scent that seems to permeate the very […]

Interview of Lise Sarfati by François Adragna (2012)

  “One often wrongfully compares photographs to paintings. This is nonsense. The image does not refer to painting but to something alive through which passes silence…”   Lise Sarfati ‘On Hollywood’. Interview by François Adragna François Adragna: What is a photographic series? Lise Sarfati: It is a set of photographs which are linked to each other […]

An Interview with Henri Cartier-Bresson – Famous Photographers Tell How (1958)

“For me, content cannot be separated from form. By form, I mean a rigorous geometrical organization of interplay of surfaces, lines and values.”   Interview with Henri Cartier-Bresson – Famous Photographers Tell How (1958) HCB: To me, photography is a simultaneous recognition in a fraction of a second of a significance of an event as […]

Biography and Early Career of Eugene Atget (2006)

Text Excerpt from The early photographic work of Eugene Atget: 1892 – 1902 By Eun Young Jeong, Michigan State University Very little is known about Atget’s early life. He kept no diary or other personal records. The information that has been published has become somewhat mythological due to a lack of primary source material. The […]

Henri-Cartier Bresson: “Arrogant Purpose” (1947)

Not all of Cartier-Bresson’s photographs are of equal merit. Certain of them are tinged with that artiness which, whether plastic or anecdotal, has so far haunted almost all ambitious photography in the twentieth century. By Clement Greenberg and John O’Brian (Feb 15, 1988) Excerpt from Review of the Whitney Annual and Exhibitions of Picasso and Henri Cartier-Bresson, The Nation, […]

Lise Sarfati – ‘The New Life Interview’ (2011)

Sloane #34, Oakland CA   “Suddenly when I tried to speak with people they would not answer me. So there we were completely isolated in America while the US was at war.”   By Robert Wiedenfeld for ASX, March 2011 Robert Wiedenfeld: Initially how did the concept develop for The New Life (La Vie Nouvelle)? […]