Xiaopeng Yuan: The Liminality of Capitalist Anxiety
“This set of images playfully break advertising’s conceptual ethos and artifice and instead represent real-world, unorthodox behaviours.”
“This set of images playfully break advertising’s conceptual ethos and artifice and instead represent real-world, unorthodox behaviours.”
“On a functional level, and trying to remove myself from the subjects involved, what “Billie” does besides pull on your emotions is to punish photography in a small way…”
from Go-Sees @ Juergen Teller “For me I realised, in a way, within that period, ninety-eight/ninety-nine, kind of stepping back from fashion, realised what kind of a sense of power you have as a man, and what sense of power you have as a photographer.” – Juergen Teller Excerpt from an interview with the Tate, […]
I’ll Write Whenever I Can, Koobi Fora, Lake Rudolf, 1965 @ Peter Beard Andy described him as – “one of the most fascinating men in the world …… he’s like a modern Tarzan. He jumps in and out of the snake pit he keeps at his home. He cuts himself and paints with the blood. […]
“If there’re gonna be 100 people in my apartment, there are gonna be twenty or so who want to be exhibitionists and expose themselves to express themselves…”
Evi, Beverly Hills, 1996 “I like the idea of trespassing. I got to write that down too. It’s quite true that what I am aiming at, even when I take portraits, is to get a scandalous picture. I would love to be a paparazzo.” – Helmut Newton EXPLORE ALL HELMUT NEWTON ON […]
from Go-Sees, @ Juergen Teller Made over a twelve-month period, Go-Sees is a collection of photographs that depict the hundreds of women and young girls who called at Teller’s studio for an informal meeting in the hope of securing the modeling contract that would lead to fame, fortune and a life of ‘glamour’. […]
April 4, 2014, Galerie OstLicht: opening ceremony of the show ARAKI TELLER TELLER ARAKI featuring works of two of the most important photographers of our times: Juergen Teller and Nobuyoshi Araki. The exhibition is showing new works conceived for this joint exhibition and entering into an artistic dialogue. Nobuyoshi Araki and Juergen Teller are united […]
FADER and Hennessy ‘Wild Rabbit’ photographer Sandy Kim talks about what inspires her raw and intimate work.
A camera crew follows Helmut Newton, the fashion and ad photographer whose images of tall, blond, big-breasted women are part of the iconography of twentieth-century erotic fantasy. He’s on the go from L.A., to Paris, to Monte-Carlo, to Berlin, where he was a youth until he escaped from the Nazis in 1936. We see him […]
This short from late New York fashion photographer Deborah Turbeville envisions the final moments of her guilty protagonist’s life played out on Mexico’s Day of the Dead.
“It is overwhelming realizing just how extremely influential Teller has been for fashion photography of today when seeing the seemingly endless amount of raw, rough, and ready skinny naked girls looking at you in a confront fierce manner.” Juergen Teller, ‘Woo!’, 23 January 2013 – 17 March 2013, at ICA, Institute of Contemporary Arts, London. […]