“We may consider these types of photographs as a glimpse, a grimace or a greeting between subject and viewer, nothing more” It is hard to condense seven years of intimacy into the frames of 35mm negatives. You cannot easily graph the moments that pass between two orbiting worlds, the moments of affection, disagreements […]
“Life is not composed. It is messy” Photography often relies on spectacle as the object of its pursuit. The photographer seeks to illuminate that which they believe will have a significance to the social and political order of the moment or that which can only be illuminated by the ability of the photographer to […]
“We do not scream out in apathy. We look and we observe the condition that circulates our everyday. Stoicism is a front. It covers the mechanics of our suffering” I would assert that some of the strongest works produced in photography are those in which something grave is laid bare and vulnerable […]
“The historical road of photography is paved with books and bodies of work about family. It is a natural resource for making work” The historical road of photography is paved with books and bodies of work about family. It is a natural resource for making work. Emmet Gowin, Sally Mann, Judith Black […]
“Guillaume Simoneau is a not a cannibal, but his book Murder (MACK), is an ode to Fukase’s legendary status and particularly his book Karasu/Ravens. Murder is a devotional hymn, or a phantom limb added to the mythology of the Japanese artist” Inherent or Mythological Propagandas One of photography’s less considered functions is […]
Editor’s Note, This interview was conducted over the period of months. Federico and I would ping pong ideas back and forth. Being a busy artist, Clavarino had already moved into several different territories from my principal point of trying to tackle Hereafter, his great opus about power, family, archive and how history is activated […]