“The vernacular leads to familiarity and that, in turn, leads back to us, the viewer, as we complete the photograph with our reception. Private and public memories stumble down the rabbit hole together.”
“Engman himself is absent from the work, and his interest in the figure of his mother most often seems like the distant one of the artist: she is a familiar material, repeatedly made strange by his methods.”
“Times change, we orchestrate ourselves to different locations and yet with nostalgia nothing need be lost. It can be found again. We can consider the death of an idea as being flexible to finality, but that is a different conversation”. We tend to enshrine people and ideas with a certain sense of […]
“Instead of seeing Goldin’s re-edit as encompassing the visibility of any specific group, it invites reconsideration in an approach delinking the narrative of otherness towards what I see as a photographic project of genuine care.”